Search results
The protagonist of Twelfth Night. An aristocratic woman, she is tossed up on the coast of Illyria by a shipwreck at the beginning of the play and disguises herself as the pageboy, Cesario … read analysis of Viola (Cesario)
- Malvolio
In revenge, Maria, Sir Toby, and others play a prank on...
- Olivia
Get everything you need to know about Olivia in Twelfth...
- Sebastian
Viola's twin brother, whom she believes is lost at sea, and...
- Viola (Cesario)
The protagonist of Twelfth Night.An aristocratic woman, she...
- Orsino
Get everything you need to know about Orsino in Twelfth...
- Malvolio
- Viola
- Orsino
- Olivia
- Sebastian
- Malvolio
- Feste
- Sir Toby
- Maria
- Sir Andrew Aguecheek
- Antonio
A young woman of aristocratic birth, and the play’s protagonist. Washed up on the shore of Illyria when her ship is wrecked in a storm, Viola decides to make her own way in the world. She disguises herself as a young man, calling herself "Cesario," and becomes a page to Duke Orsino. She ends up falling in love with Orsino—even as Olivia, the woman ...
A powerful nobleman in the country of Illyria. Orsino is lovesick for the beautiful Lady Olivia, but becomes more and more fond of his handsome new page boy, Cesario, who is actually a woman—Viola. Orsino is a vehicle through which the play explores the absurdity of love: a supreme egotist, Orsino mopes around complaining how heartsick he is over O...
A wealthy, beautiful, and noble Illyrian lady, Olivia is courted by Orsino and Sir Andrew Aguecheek, but to each of them she insists that she is in mourning for her brother, who has recently died, and will not marry for seven years. She and Orsino are similar characters in that each seems to enjoy wallowing in his or her own misery. Viola’s arrival...
Viola’s lost twin brother. When he arrives in Illyria, traveling with Antonio, his close friend and protector, Sebastian discovers that many people think that they know him. Furthermore, the beautiful Lady Olivia, whom he has never met, wants to marry him. Sebastian is not as well rounded a character as his sister. He seems to exist to take on the ...
The straitlaced steward—or head servant—in the household of Lady Olivia. Malvolio is very efficient but also very self-righteous, and he has a poor opinion of drinking, singing, and fun. His priggishness and haughty attitude earn him the enmity of Sir Toby, Sir Andrew, and Maria, who play a cruel trick on him, making him believe that Olivia is in l...
The clown, or fool, of Olivia’s household, Feste moves between Olivia’s and Orsino’s homes. He earns his living by making pointed jokes, singing old songs, being generally witty, and offering good advice cloaked under a layer of foolishness. In spite of being a professional fool, Feste often seems the wisest character in the play.
Olivia’s uncle. Olivia lets Sir Toby Belch live with her, but she does not approve of his rowdy behavior, practical jokes, heavy drinking, late-night carousing, or friends (specifically the idiotic Sir Andrew). Sir Toby also earns the ire of Malvolio. But Sir Toby has an ally, and eventually a mate, in Olivia’s sharp-witted waiting-gentlewoman, Mar...
Olivia’s clever, daring young waiting-gentlewoman. Maria is remarkably similar to her antagonist, Malvolio, who harbors aspirations of rising in the world through marriage. But Maria succeeds where Malvolio fails—perhaps because she is a woman, but, more likely, because she is more in tune than Malvolio with the anarchic, topsy-turvy spirit that an...
A friend of Sir Toby’s. Sir Andrew Aguecheek attempts to court Olivia, but he doesn’t stand a chance. He thinks that he is witty, brave, young, and good at languages and dancing, but he is actually an idiot.
A man who rescues Sebastian after his shipwreck. Antonio has become very fond of Sebastian, caring for him, accompanying him to Illyria, and furnishing him with money—all because of a love so strong that it seems to be romantic in nature. Antonio’s attraction to Sebastian, however, never bears fruit. Despite the ambiguous and shifting gender roles ...
Learn more about the characters of Viola, Orsino, Olivia and Malvolio with photo galleries and study grids to complete. We explore key questions for each character and link to further analysis of their language.
The interchange between Orsino, Cesario, and Olivia set up the central conflict of the rest of the play, and introduce the idea that love and desire can transcend gender. Olivia believes Cesario is a boy, but as Orsino says, Cesario makes a very feminine boy: “all is semblative a woman’s part.” (I.iv.).
Malvolio. Malvolio, whose name might be translated as ‘ill-will,’ is Olivia’s steward. Something of a puritan, he abhors disorder and drunkenness, along with bear-baiting and for that matter laughter: he does not smile. Read more ….
The best study guide to Twelfth Night on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.
Oct 8, 2019 · Twelfth Night is ultimately about having to relinquish such carnivalesque japing and return to a world stripped of illusion and topsy-turviness. Shakespeare’s classic comedy of cross-dressing, separated siblings, love, puritanism, and yellow stockings was, then, quite possibly first performed in February 1602, though it’s possible there was ...