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  1. Feb 10, 2015 · Upper Paleolithic rock art disappeared suddenly during the Paleolithic-Mesolithic transition period, around 12,000 years ago, when the Ice Age environmental conditions were fading. It has been suggested that there is a correlation between demographic and social patterns and the flourishing of rock art: In Europe, the rock art located in the ...

    • Cristian Violatti
  2. Mar 15, 2022 · Upper Paleolithic artwork is the oldest type of prehistoric art. Paleolithic cave paintings composed of hand stencils and basic geometric forms are dated slightly earlier, dating back at least 40,000 years. The appearance of figurative paleolithic drawings has been seen as symbolizing the onset of social modernization in Paleolithic culture ...

  3. Archeologists that study Paleolithic era humans, believe that the paintings discovered in 1994, in the cave at Chauvet-Pont-d'Arc in the Ardéche valley in France, are more than 30,000 years old. The images found at Lascaux and Altamira are more recent, dating to approximately 15,000 B.C.E.

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  5. The art of the Upper Paleolithic represents the oldest form of prehistoric art. Figurative art is present in Europe and Southeast Asia, beginning between about 40,000 to 35,000 years ago. [1] Non-figurative cave paintings, consisting of hand stencils and simple geometric shapes, are somewhat older, at least 40,000 years old, and possibly as old ...

  6. Language, culture and art. Language was perhaps the most important innovation of the Paleolithic era. Scientists can infer the early use of language from the fact that humans traversed large swaths of land, established settlements, created tools, traded, and instituted social hierarchies and cultures. Without the aid of language, these things ...

  7. A virtual revolution occurred in the creation of art during the period of the Upper Paleolithic in Europe. Beginning around 40,000 B.C., the archaeological record shows that anatomically modern humans effectively replaced Neanderthals and remained the sole hominid inhabitants across continental Europe.

  8. interpretation of Upper Palaeolithic cave art as hunting magic entailed an assumption that the magic was to ensure the capture or increase of the prey animals. The scarcity of reindeer, absence of saiga antelope and occa-sional abundance of mammoth depictions are all at vari-ance with the observed faunal remains that are assumed

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