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  1. Sorrowing Old Man (At Eternity's Gate) is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Rémy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health some two months before his death, which is generally accepted as a suicide.

  2. At Eternity's Gate, 1890 by Vincent Van Gogh. At Eternity's Gate is an oil painting by Vincent van Gogh that he made in 1890 in Saint-Remy de Provence based on an early lithograph. The painting was completed in early May at a time when he was convalescing from a severe relapse in his health and some two months before his death, generally ...

  3. Oct 14, 2023 · The oil painting, fully known as Sorrowing Old Man (At Eternity's Gate) but most commonly known by the parenthetical phrase, was completed in May 1890, while Van Gogh was recovering from a severe bout of mental illness, and while he was still in the asylum. He would die, by his own hand it is widely believed, just two months later.

  4. Title: At Eternity's Gate. Artist: Vincent van Gogh (Dutch, Zundert 1853–1890 Auvers-sur-Oise) Date: November 26−27, 1882. Medium: Transfer lithograph. Dimensions: Sheet: 23 1/16 × 15 3/8 in. (58.6 × 39 cm) Classification: Prints

  5. At Eternity's Gate Vincent van Gogh (1853 - 1890), The Hague, November 1882 lithograph on paper, 49.8 cm x 34.7 cm Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

  6. Apr 17, 2022 · At Eternity’s Gate, also called ‘Sorrowing Old Man’ is an oil painting based on one of Van Gogh’s lithographs. A lithograph refers to a rough design or sketch that a painter studies before making the final piece. Today, the painting is in the Netherlands, at the Kröller-Müller Museum.

  7. Apr 6, 2024 · Significantly, one of Van Gogh’s last paintings, “At Eternity’s Gate” or “Sorrowing Old Man,” was rooted in an earlier lithograph created during his early art career. This piece carries a powerful emotional gravity that resonates throughout his later works.

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