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  1. Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music , including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and ...

  2. What remained to be completed for these sections were mostly accompanimental figures, inner harmonies, and orchestral doublings to the vocal parts. Completion by Mozart's contemporaries. The eccentric count Franz von Walsegg commissioned the Requiem from Mozart anonymously through intermediaries.

    • 1791, (Süssmayr completion finished 1792)
    • D minor
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  4. Symphony No. 40 in G minor, K. 550 was written by Wolfgang Amadeus Mozart in 1788. It is sometimes referred to as the "Great G minor symphony", to distinguish it from the "Little G minor symphony", No. 25. The two are the only extant minor key symphonies Mozart wrote.

    • 1788
    • K. 550
  5. Mozart's approach to composition. A surviving letter of Mozart's to his father Leopold (31 July 1778) indicates that he considered composition an active process: You know that I plunge myself into music, so to speak—that I think about it all day long—that I like experimenting—studying—reflecting. One cannot quite determine from these ...

  6. During his last decade, Mozart frequently exploited chromatic harmony. A notable instance is his String Quartet in C major , K. 465 (1785), whose introduction abounds in chromatic suspensions, giving rise to the work's nickname, the "Dissonance" quartet.

  7. The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ ), K. 492, is a commedia per musica ( opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786.

  8. Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the seventeen Sonate da chiesa, composed between 1772 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint, and even operatic elements can sometimes emerge. Stylistic unity and consistency is present ...

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