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- The rumors were rife of his at least passive adherence to the Nazis, although he categorically denied that he was ever a member of the party.
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May 23, 2018 · In 1943 he became director of the Vienna State Opera, but his tenure was a brief one due to its closure by the Nazis in 1944 and by its destruction by Allied bombing during the closing weeks of World War II in 1945. The rumors were rife of his at least passive adherence to the Nazis, although he categorically denied that he was ever a member of ...
The narratives of Furtwangler and Karajan help to illustrate the tensions that began in 1933, and the different paths that two prominent musicians chose in confronting the Third Reich. Berlin, Germany, Hitler at a concert conducted by Wilhelm Furtwaengler.
Apr 17, 2024 · Böhm came under public criticism for taking the Dresden position because he had replaced Fritz Busch, who had been forced to resign by the Nazis; Böhm replaced Bruno Walter at Salzburg in 1938 under similar circumstances. After conducting at Dresden until 1943, Böhm directed the State Opera in Vienna from 1943 to 1945 and again from 1954 to 1956.
- The Editors of Encyclopaedia Britannica
Upon Adolf Hitler’s intercession, Böhm was released from his contract as Hamburg’s General Music Director in 1934 to become the successor of Fritz Busch (1890-1951), whom the Nazi regime had forced to resign and emigrate, at Dresden’s Semper Opera.
Music in Nazi Germany, like all cultural activities in the regime, was controlled and "co-ordinated" (Gleichschaltung) by various entities of the state and the Nazi Party, with Propaganda Minister Joseph Goebbels and the prominent Nazi theorist Alfred Rosenberg playing leading – and competing – roles.
Karl Böhm poses more of a problem. Appointed in Dresden, with Hitler’s approval to succeed Fritz Busch, he was both privately and publicly a Nazi apologist – and always gave the Nazi salute at the beginning of concerts he conducted.