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      • Eleanor Powell had trouble finding work in Hollywood simply because she was just too talented for her own good. A woman's role in dances back in the '40s was to make the man look good. And with her talent and grace, she was always the main focus.
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  2. Nov 26, 2012 · Eleanor Powell, the magnificently talented movie-musical performer of the mid-twentieth century, was too good for Hollywood. I don’t mean too virtuous; I mean too virtuosic—too masterful at her...

  3. Sep 8, 2016 · Eleanor Powell had trouble finding work in Hollywood simply because she was just too talented for her own good. A woman's role in dances back in the '40s was to make the man look...

  4. Road to Hollywood. In 1935, Powell made the move to Hollywood and showcased her talent in a specialty number in her first major film, George White's 1935 Scandals. However, she later described this experience as a disaster because she was accidentally made up to resemble an Egyptian.

  5. Mar 26, 2019 · Proving that tap dancing wasn’t a man’s game, Eleanor Powell dazzled audiences in the late ’30s and early ’40s with her fierce athleticism and jubilant personality. As Astaire wrote in his autobiography, Powell “put ’em down like a man, no ricky-ticky-sissy stuff with Ellie.

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  6. Sep 14, 2016 · Astaire couldn’t stand to work with this particular dancer because she was too good. She was so good, in fact, that she stole focus from him. The actress in question was named Eleanor Powell, and she was a budding performer trying to find a place in Hollywood, but she was having trouble getting started.

  7. Apr 25, 2024 · Died: February 11, 1982, Beverly Hills, California (aged 69) Eleanor Powell (born November 21, 1912, Springfield, Massachusetts, U.S.—died February 11, 1982, Beverly Hills, California) was an American film performer best known for her powerful and aggressive style of tap dancing. In 1965, the Dance Masters of America bestowed upon her the ...

  8. Jan 11, 2016 · Hollywood Bound. Powell first made the move to Hollywood in 1935. She performed a tap number for her first major movie, “George White’s Scandals” (1935). That role caught the attention of MGM mogul Louis B. Mayer, who made the wise decision to get her a contract with the studio.

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