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Wayne Wang. Director: Smoke. Wayne Wang is a key figure in the development of independent filmmaking, alternating major Hollywood studio films such as »The Joy Luck Club« with smaller, independent work like »Smoke«. Continuing to work in the two different worlds, Wang directed an independent digital film, »The Center of the World«, with ...
- Director, Producer, Writer
- January 12, 1949
- Wayne Wang
Wang with Wood Moy, Peter Wang and Marc Hayashi, 1981. Wayne Wang (traditional Chinese: 王穎; simplified Chinese: 王颖; pinyin: Wáng Yǐng; Jyutping: Wong4 Wing6; born January 12, 1949) is a Hong Kong-American film director, producer, and screenwriter.
- Director, producer, screenwriter
- California College of the Arts
- 1975–present
- January 12, 1949 (age 74), British Hong Kong
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Wayne Wang (born January 12, 1949, Hong Kong) Hong Kong-born film director, producer, and screenwriter who became one of the first major Asian directors in the United States. He directed both big-budget Hollywood studio motion pictures and low-budget independent films (without the backing of a major studio).
- The Editors of Encyclopaedia Britannica
Mar 24, 2024 · Richard James Havis. + FOLLOW. Published: 4:15am, 24 Mar 2024. Why you can trust SCMP. The Joy Luck Club’s Wayne Wang is probably the best-known Asian-American film director. While he made...
Wayne Wang is a Hong Kong-American film director, producer, and screenwriter. Considered a pioneer of Asian-American cinema, he was one of the first Chinese-American filmmakers to gain a major foothold in Hollywood. His films, often independently produced, deal with issues of contemporary Asian-American culture and domestic life.
Interviews. Wayne Wang: Twenty-six years of good movies. Roger Ebert October 04, 2008. Tweet. Wayne Wang at the 2002 Cannes Film Festival. Wayne Wang 's other new film, "The Princess of Nebraska," will have its free world premiere on Friday, Oct. 17, on the YouTube.com screening room. Times: Midnight ET, 11 p.m. CT, 10 p.m. MT and 9 p.m. PT.
May 5, 2022 · Rozette Rago for The New York Times. By Brandon Yu. Published May 5, 2022 Updated May 6, 2022. Sitting in a booth in a dive bar in San Francisco’s Chinatown, the same one where he shot scenes for...
