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    What are the 5 stages of drama?

    What are the types of theater stages?

    What are the types of stages?

  2. Let us have a look at the various stage forms throughout history (based on Pfister 2001: 41-45): Greek Classicism. Plays in ancient Greece were staged in amphitheatres, which were marked by a round stage about three quarters surrounded by the audience. Since amphitheatres were very large and could hold great masses of people (up to 25,000), the actors could hardly be seen from far back, and for this reason, acting included speaking in a loud, declamatory voice, wearing masks and symbolical ...

  3. Classical Athenian drama was succeeded by Roman drama, Medieval, Elizabethan and Jacobean (English renaissance theater), modern, and postmodern drama. Different genres of dramas were produced, which gained immense popularity amongst all sections of society.

  4. Sep 15, 2017 · Today, there are four basic types of theater stages. Proscenium Stage The most traditional type of stage for live theater is the proscenium, in which the audience sits in rows facing the stage.

  5. Different Types of Literary Drama. Drama in literature refers to the performance of written dialogue and stage action. It’s a literary genre that allows actors to act out a writer’s words directly to an audience. But there’s more than one type of literary genre – and chances are, you’ve seen examples of them all. Here are some ...

    • Proscenium Stages
    • Thrust Stages
    • Theatres In-The-Round
    • Arena Theatres
    • Black-Box Or Studio Theatres
    • Platform Stages
    • Hippodromes
    • Open Air Theatres
    • Site-Specific Theatre
    • Promenade Theatre

    Proscenium stages have an architectural frame, known as the proscenium arch, although not always arched in shape. Their stages are deep and sometimes raked, meaning the stage is gently sloped rising away from the audience. Sometimes the front of the stage extends past the proscenium into the auditorium. This is known as an apron or forestage. Theatres containing proscenium stages are known as proscenium arch theatres and often include an orchestra pit for live music and a fly tower for the movement of scenery and lighting. The proscenium arch at Sheffield Lyceum.

    As the name suggests, these project or ‘thrust’ into the auditorium with the audience sitting on three sides. The thrust stage area itself is not always square but may be semi-circular or half a polygon with any number of sides. Such stages are often used to increase intimacy between actors and the audience. The thrust stage at the Gulbenkian, University of Kent.

    These have a central performance area enclosed by the audience on all sides. The arrangement is rarely ‘round’: more usually the seating is in a square or polygonal formation. The actors enter through aisles or vomitories between the seating. Scenery is minimal and carefully positioned to ensure it does not obstruct the audience’s view. In-the-round auditorium at the Stephen Joseph Theatre, Scarborough.

    Arena theatres are large scale auditoria and have a central stage area with audiences on all sides, similar to theatres in-the-round. The stage area is usually rectangular, more like a sports arena, with tiered seating.

    These are flexible performance spaces which when stripped to their basics are a single room painted black, the floor of the stage at the same level as the first audience row. Usually these spaces allow for the temporary setup of seating in a number of different configurations to enable a wide variety of productions to be presented. The Studio at the Questors Theatre, Ealing.

    These usually consist of a raised rectangular platform at one end of a room. They can either have a level or raked sloping floor. The audience sit in rows facing the stage. Platform stages are often used in multi-purpose halls where theatre is only one of the space’s uses. Where the stage is open and without curtains, they are sometimes known as end stages or open stages.

    Hippodromes are similar to circuses and have a central circular arena surrounded by concentric tiered seating. Deep pits or low screens often separate the audience from the arena.

    These are outdoor theatres that do not have a roof, although sometimes parts of the stage or audience seating will be covered. These stages may make use of the natural light as it changes during the day, particularly sunset. The auditorium of Rutland Open Air Theatre.

    Site-specific theatre is usually performed in a non-traditional theatre space such as a pub, home or warehouse, often reflecting the history, atmosphere or experiences of a particular location.

    This involves the audience moving from place to place following the actors and performance. Images: Ian Grundy, Theatres Trust.

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