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  1. Answer (1 of 11): It’s an old question, but it’s worth answering… To take down any terrorist organisation, this is the team I would use: Lila Cheney Teleporter… can only teleport interstellar distances, but her teleports are instantaneous and she can select her locations with pin-point accurac...

  2. Feb 10, 2019 · A subgenre with elements of the surreal and postmodern themes. It crosses the genres of literary fiction and speculative fiction, including science fiction, fantasy or both. Slipstream is often defined as fantastical, illogical, surreal, and jarring. Writing Prompts: Watch the video or read them.

    • Tonya Thompson
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  4. The alien invasion is a common theme in science fiction stories and film, in which a technologically-superior extraterrestrial society invades Earth with the intent to replace human life, or to enslave it under a colonial system, or in some cases, to use humans as food.

  5. en.wikipedia.org › wiki › NecromancyNecromancy - Wikipedia

    Necromancy (/ ˈ n ɛ k r ə m æ n s i /) is the practice of magic or black magic involving communication with the dead – either by summoning their spirits as apparitions, visions or raising them bodily – for the purpose of divination, imparting the means to foretell future events, discover hidden knowledge, to bring someone back from the dead, or to use the dead as a weapon.

    • Archie’s Weird Fantasy
    • Educational Comics
    • Seduction of The Innocent
    • Approved by The Comics Code Authority
    • The Kids Aren’T All Right
    • Afterlife with Archie
    • Chilling Adventures of Roberto Aguirre-Sacasa

    In April 2003, a play penned by Aguirre-Sacasa called Archie’s Weird Fantasywas set to debut at Dad’s Garage in Atlanta, Georgia. The play followed Archie as he came out as gay and then moved to New York City in order to begin his career, where he gets a job working in comics. But the day before the play was set to premiere, the theater received notice from Archie Comics ordering Dad’s Garage to cease and desist with their performance of Archie’s Weird Fantasyon the grounds that it violated copyright protection on seven different counts. The complaint stated that portraying Archie as gay would tarnish the character’s image, hindering his ability to sell future comics. While the law does protect parody that involves well-known fictional characters, the play also dealt with historical subject matter, including the comic book obscenity trials of the 1950s. In Archie’s Weird Fantasy, Archie didn’t just come out and move to the city, he also faced the consequences of censorship. Citing c...

    Weird Comic Book Fantasy takes a liberal approach to chronology, drawing from multiple historical events without regard to the amount of time separating them. This means that after Buddy has left the security of Rockville and moved to New York City, he is able to take a job at Educational Comics, better known as EC. The Ten Cent Plague by David Hadjurecounts the history of EC, the real-life publisher behind comics like Mad, Tales from the Crypt, and This Magazine is Haunted. M.C. Gaineshad established company to print educational comics, but when he died in a boat crash in 1947, his son William took control of the business. Bill, who appears onstage as a character in Weird Comic Book Fantasy, took a very different approach to comics than his father. Rather than continue printing the educational and Bible-oriented titles his father had been publishing — which had cost the company dearly and left it deeply in debt — the younger Gaines elected to pursue titles that he thought would be...

    But something wicked was slouching toward the Senate. In 1954, Senator Robert C. Hendrickson formed a committee on juvenile delinquency. Hearings were then arranged to expose the “truth” behind comic books, and determine what “impact” they might have on the minds of children. Determined to demonstrate that comics were not the degenerate rags that the Senator made them out to be, Gaines himself volunteered to speak at the hearings. Gaines spent days preparing an impassioned defense of comic books, arguing that they could be used to tell different types of stories (he cited the fact that EC published both horror comics and Picture Stories from the Bible) and that certain books may simply not be to a particular person’s taste. But as he moved beyond his prepared remarks and began facing questions from the committee, Gaines lost ground as the unfriendly senators bombarded him with inquiries designed to undermine his argument. He spent several days recovering from the ordeal, but the hea...

    The hearings had an earth-shaking effect on the comics industry. By August of 1954, the publisher of Archiecomics, John L. Goldwater, was serving as the head of the organizational committee for the newly formed Comics Magazine Association of America. Goldwater was no fan of Gaines, who had parodied the squeaky-clean image of Archie in the pages of Madwith a character called “Starchie.” One of the early suggestions made by the CMMA included banning certain words from the titles of comics – such as “terror” and “horror” – which effectively served as a targeted ban on the horror comics published by EC. Devastated by the blow to the production of his comics, Gaines vowed to never give in — before changing course and caving to the pressure of the newly minted Comics Code Authorityby introducing a new line of “wholesome” comics designed to earn the approval of the censors. The endeavor was sustainable for only a few issues before a dispute with one of the censors over the inclusion of a b...

    In 2009, John L. Goldwater’s son, Jon Goldwater, became co-CEO of Archie Comics. As evidenced by the Comics Code, the elder Goldwater placed a heavy emphasis on tradition — in the mid-1970s, John licensed Archie for Evangelical comics despite the fact that he was Jewish, citing shared values. By contrast, Jon is fond of an anecdote concerning a train ride he took shortly after being appointed co-CEO, when a stranger saw him reading an Archie comic and then asked whether or not they were still being published. Jon resolved to bring Archie back to relevance by any means necessary, urging his creative team to consider any idea, no matter how outlandish it might seem. One of the outcomes of this creative blitz was a revival of the Life with Archieseries in 2010, which had been reformatted from an anthology of genre-spanning adventures with the Riverdale gang into a tale of two timelines, following an adult Archie as he settled down and got married — to either Betty orVeronica, depending...

    In 2013, issue #23 of Life with Archieran with a variant cover by Francesco Francavilla depicting a horrific version of the title: Afterlife with Archie, featuring “America’s Favorite Teen Zombie.” The response to the variant was so great that an actual series was launched later that year, with Francavilla providing art and Aguirre-Sacasa writing. No stranger to horror comics, having previously adapted Stephen King’s The Stand for Marvel comics, Aguirre-Sacasa incorporated a variety of horror-genre inspirations on top of the archetypical foundations of the Riverdale gang. Combined with Francavilla’s uncanny illustrations, Afterlife with Archiebecame a cult hit, delighting fans of the horror genre and the Archie gang alike.

    The success of Afterlife with Archieled to an entire line of Archie Horror comics, including Vampironica and Blossoms 666. Aguirre-Sacasa himself continues to be involved in the Archie Horror books, writing Chilling Adventures of Sabrinaas well as Afterlife with Archie. As showrunner of both Riverdaleand Chilling Adventures of Sabrina, Roberto has offered his singular perspective on the classic Archies Comics characters. But his interpretation of the Riverdale gang has its foundation in his awareness of both Archie Comics and comic book history. This is evidenced by the Netflix series Chilling Adventures of Sabrina, in which many characters are named for the characters in Arthur Miller’s The Crucible, a play about both the 1692 Salem Witchcraft Crisis and the 1954 McCarthy Communist probe. While the past should not be ignored, Aguirre-Sacasa’s work never allows itself to be limited by the past, instead using history as a ladder to step upwards into the future — even when more than o...

  6. Feb 20, 2018 · These figures pop up constantly in our stories and fairy tales, but they've also appeared in real life. Countless women were burned at the stake under suspicion of practicing witchcraft, and most of them were completely innocent. The famous witches of Salem were real historical figures that have inspired a whole wealth of fictional stories.