Nineteenth century popular music mostly descended from earlier musical traditions such as theatre music, band music, dance music, and church music. The earliest songs that could be considered American popular music, as opposed to the popular music of a particular region or ethnicity, were sentimental parlor songs by Stephen Foster and his peers, and songs meant for use in minstrel shows ...
Portugal has had a history of receiving different musical influences from around the Mediterranean Sea, across Europe and former colonies. In the two centuries before the Christian era, Ancient Rome brought with it Greek influences; early Christians, who had their differing versions of church music arrived during the height of the Roman Empire; the Visigoths, a Romanized Germanic people, who ...
United Kingdom. Drum and bass began as a musical paradigm shift of the United Kingdom breakbeat hardcore and rave scene of the mid 1990s; and over the first decade and a half of its existence there have been many permutations in its style, incorporating elements from dancehall, electro, funk, hip hop, house, jazz, pop-created fusion of hardcore, house and techno (also including new beat).
Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxophones, and a rhythm section of four instruments.
The later (1955) hit "Patricia" was a mambo/rock fusion. Mambo of the Prado kind was more a descendant of the son and the guaracha than the danzón. In the U.S. the mambo craze lasted from about 1950 to 1956, but its influence on the bugaloo and salsa that followed it was considerable.
K-pop (Korean: 케이팝; RR: keipap), short for Korean popular music, is a form of popular music originating in South Korea as part of South Korean culture. It includes styles and genres from around the world, such as pop, hip hop, R&B, experimental, rock, jazz, gospel, reggae, electronic dance, folk, country, disco, and classical on top of its traditional Korean music roots.
During the 1940s and 1950s, the tourism boom in Cuba and the popularity of jazz and American music in general fostered the development of big bands and combos on the island. These bands consisted of a relatively small horn section, piano, double bass, a full array of Cuban percussion instruments and a vocalist fronting the ensemble.