What kind of instruments are used in fusion music?
- Jazz uses primarily acoustic instruments, which may be amplified (e.g. piano, double bass, horns), while fusion uses primarily electric and electronic instruments more commonly used in rock music (e.g. electric guitar, bass guitar, electric piano, synthesisers).
Jazz fusion. Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians ...
May 12, 2011 · Jazz fusion is a type of jazz band consisting of many instruments.Various saxophonesTrumpetdrumsauxiliary percussionsometimes violinkeyboardand any other type of jazz ...
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Jazz, jazz fusion, post bop, Latin jazz, classical music, avant-garde jazz Return to Forever , Five Peace Band , Chaka Khan As leader: Return to Forever (1972), The Leprechaun (1976), My Spanish Heart (1976), with Return to Forever : Light as a Feather (1973), Hymn of the Seventh Galaxy (1973), Where Have I Known You Before (1974), Romantic ...
Jazz-Rock Fusion or Fusion is a style of music that emerged at the end of the 1960s. It is different from earlier jazz in a number of ways: Jazz is characterised rhythmically by it's "swing," while fusion tends to be based more on even eighth or sixteenth note rhythms.
- Trumpet. Although the trumpet underwent changes during the Renaissance, it has been in existence far longer than that. Used at first for military purposes, studies show that ancient people used materials such as animal horns for similar purposes (i.e.
- Saxophone. Saxophones come in a variety of sizes and types: like the soprano saxophone, the alto sax, tenor sax and the baritone sax. Considered to be newer than other musical instruments in terms of its music history, the saxophone was invented by Antoine-Joseph (Adolphe) Sax.
- Piano. The piano is one of the most popular keyboard instruments for both children and adults. Most of the famous classical composers were piano virtuosos such as Mozart and Beethoven.
- Trombone. The trombone descended from the trumpet but it is shaped and sized quite differently. One interesting fact about learning to play the trombone is that it is either played in the bass or treble clef.
Script error: No such module "main".Script error: No such module "Labelled list hatnote".Afro-Cuban jazz, one the earliest form of Latin jazz, is a fusion of Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the congas and the bongos into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cubaitself.
Allmusic Guide states that "until around 1967, the worlds of jazz and rock were nearly completely separate". While in the United States modern jazz and electric R&B may have represented opposite poles of blues-based Afro-American music, the British pop music of the beat boom developed out of the skiffle and R&B championed by well-known jazzmen such as Chris Barber. English fusion guitarist John McLaughlin, for example, had played what Allmusic describes as a "blend of jazz and American R&B" with Georgie Fame and the Blue Flames as early as 1962 and continued with The Graham Bond Organisation (with Jack Bruce and Ginger Baker) whose style Allmusic calls "rhythm & blues with a strong jazzy flavor". Bond himself had begun playing straight jazz with Don Rendell, while Manfred Mann, who recorded a Cannonball Adderley tune on their first album, when joined by Bruce turned out the 1966 EP record Instrumental Asylum, which undoubtedly fused jazz and rock. One of the earliest releases from P...
Template:Refimprove section Template:Listen Davis' Bitches Brew sessions, recorded in August 1969 and released the following year, mostly abandoned jazz's usual swing beat in favor of a rock-style backbeat anchored by electric bass grooves. The recording "…mixed free jazz blowing by a large ensemble with electronic keyboards and guitar, plus a dense mix of percussion." Davis also drew on the rock influence by playing his trumpet through electronic effects and pedals. While the album gave Davis a gold record, the use of electric instruments and rock beats created a great deal of consternation amongst some more conservative jazz critics. During the 1970s, many of these critics in the jazz community perceived jazz music "as high art in contrast with the more commercial and less sophisticated rock music" with which it was being fused. Racial identity was also an essential component of genre conventions, and jazz critics often censured black musicians who deserted the purity of the jazz...
Script error: No such module "main". By the early 1980s, much of the original fusion genre was subsumed into other branches of jazz and rock, especially smooth jazz, a radio-friendly subgenre of fusion which is influenced stylistically by R&B, funk and pop. Smooth jazz can be traced to at least the late 1960s, when producer Creed Taylor worked with guitarist Wes Montgomery on three popular music-oriented records. Taylor founded CTI Records and many established jazz performers recorded for CTI...
Although the meaning of "fusion" became confused with the advent of "smooth jazz", a number of groups helped to revive the jazz fusion genre beginning in the mid-to-late 1980s. In the 1980s, a critic argued that "…the promise of fusion went unfulfilled to an extent, although it continued to exist in groups such as Jeff Lorber, Yellowjackets, Tribal Tech and Chick Corea's Elektric Band".Many of the most well-known fusion artists were members of earlier jazz fusion groups, and some of the fusio...
Acid jazz, nu jazz and jazz rap
Acid jazz developed in the UK in the 1980s and 1990s, influenced by jazz-funk and electronic music. Acid jazz often contains various types of electronic composition (sometimes including sampling or a live DJ cutting and scratching), but it is just as likely to be played live by musicians, who often showcase jazz interpretation as part of their performance. Jazz-funk musicians such as Roy Ayers and Donald Byrdare often credited as the forerunners of acid jazz. Nu jazz is influenced by jazz har...
Joe Zawinul's fusion band, The Zawinul Syndicate, began adding more elements of world music during the 1990s. One of the notable bands that became prominent in the early 1990s is Tribal Tech, led by guitarist Scott Henderson and bassist Gary Willis. Henderson was a member of both Corea's and Zawinul's ensembles in the late 1980s while putting together his own group. Tribal Tech's most common lineup also includes keyboardist Scott Kinsey and drummer Kirk Covington; Willis and Kinsey have both recorded solo fusion projects. Henderson has also been featured on fusion projects by drummer Steve Smith of Vital Information which also include bassist Victor Wooten of the eclectic Bela Fleck and the Flecktones, recording under the banner Vital Tech Tones. Allan Holdsworth was a guitarist who performed in jazz, fusion, and rock styles. Other guitarists such as Eddie Van Halen, Steve Vai and Yngwie Malmsteen praised his fusion playing. Holdsworth often used experimental instruments such a Synt...