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  1. If we take it as 30 A.D ( https://www.gotquestions.org/what-year-did-Jesus-die.html ), then 2000 years on is 2030 as you pointed out. The Hosea passage would seem to indicate that Israel is 'revived' around the end of the 2 days (2000 years) - so maybe around 2030 or shortly after (if 30 A.D was ascension year).

  2. Apr 22, 2020 · A flurry of unprecedented jubilees is coming upon the Christian world, faster than we might think. By the time this decade ends in 2030, Christians all over the world will be at the cusp of the ...

  3. Dec 15, 2014 · December 15, 2014 3:30 PM EST. R idley Scott’s Exodus: Gods and Kings is not exactly a documentary, so a comparison of the film’s adaptation to Scripture is not the point of the movie. But it...

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  4. Dec 12, 2014 · Morgan Freeman, Bruce Almighty He'd already played the president, so God wasn't much of a stretch; Freeman, one of America's most trusted actors, brought his resounding tones to bear on the loopy ...

  5. Jul 17, 2018 · Movies don’t just tell us ideas, they show them in the context of a story. A well-told story can connect with our hearts in ways that facts and precepts do not. C.S. Lewis has said that we have two ways of knowing: imagination and reason. By engaging our imaginations, stories/movies can torch our desires, making an end run around our reason.

    • what is 2030 in film history vs the bible1
    • what is 2030 in film history vs the bible2
    • what is 2030 in film history vs the bible3
    • what is 2030 in film history vs the bible4
  6. Nov 20, 2019 · These are just a few of the questions that emerge when we start to discuss Jesus' return, Revelation and the end times. Scripture is filled with clues, though there are different ideas about how it will all come to fruition. READ ALSO: 11 Powerful Bible Passages About the End Times and Jesus’ Return. Let's dive into five documentaries now ...

  7. Jun 1, 2014 · After tracing what has become the dominant scholarly narrative of the Bibles history in cinema, three methodological points are considered: (1) the need for scholarship to reach beyond the hegemony of Hollywood, (2) the difficulty of establishing clear criteria to define what “counts” as biblical reception in film, and (3) the necessity ...

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