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  1. In perhaps the most famous metaphor of the play, Orsino's opening words are, "If music be the food of love, play on. / Give me excess of it, that, surfeiting, / The appetite may sicken and so die" (1.1). In this metaphor, Orsino equates music with something that "feeds" love. He asks to have more and more music so that he will overindulge and ...

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      Twelfth Night study guide contains a biography of William...

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      Essays for Twelfth Night. Twelfth Night literature essays...

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      Essays for Twelfth Night. Twelfth Night literature essays...

  2. Metaphor Examples in Twelfth Night: "debt of love..." See in text (Act I - Scene I) Olivia’s sadness and ardent commitment to keeping that sadness “fresh” in her “remembrance” can be seen as a pose of melancholy. Like Orsino who affects the tropes of love-sickness, Olivia plays the role of melancholy. Together, these two characters ...

  3. Characters in Twelfth Night frequently use metaphorical language to talk about love and desire. One especially evocative metaphor that appears more than once throughout the play likens the human heart to a book and the act of loving to the act of reading. In Act 1, Scene 4, Orsino compares his soul to a locked book:

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  5. In William Shakespeare 's Twelfth Night, the issue of taking someone at face value, or "judging a book by its cover," is a pivotal one. The characters assume disguises and false names, pursuing ...

  6. Expert Answers. Literary devices used in Twelfth Night include simile, metaphor , personification, and apostrophe. A simile is a comparison for effect between unlike things using “like” or ...

  7. Unlock with LitCharts A. Throughout Twelfth Night, several different characters make use of natural imagery. The twin motifs of trees and flowers are used at different points throughout the play to symbolize beauty, love, and death. In Act 2, Scene 4, Orsino introduces flowers as a symbol of inconstant love:

  8. In Twelfth Night, both love and grief are compared to illness and associated with an imbalance of the humors. In Act 1, Scene 1, Orsino locates love in the stomach and associates an excess of it with feelings of nausea: Orsino: If music be the food of love, play on. The appetite may sicken and so die.

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