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      • In ‘twelfth night’, the desire for love from duke Orsino is highlighted at the very beginning. Orsino’s hunger for love, music being ‘the food of love’, and the metaphors ‘excess’ and ‘surfeit’ all emphasize the overwhelming feelings of love.
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  1. See in text (Act II - Scene V) A “sophy” was a Shah of Persia. Fabian uses this metaphor to hyperbolically assert that he delights in the trick they they are playing on Malvolio. It is similar to saying “I would not give this up for all the money in the world.”. Caitlin, Owl Eyes Staff. Subscribe to unlock ».

  2. Jul 05, 2017 · The metaphor ‘fresh’ (used several times throughout the scene) can be metaphorically associated with stale food providing a reflection on whether Orsino’s love can be preserved. This can also be said for The Duke’s expectations of Olivia, mourning her ‘brother’s dead love’ than being ‘killed’ (‘dying’) by the ‘affections’ of another (himself).

  3. Pitch is generally taken here in the technical sense of the height to which a hawk rises before swooping, as in H. II. i. 1. 109, "How high a pitch his resolution soars," but, considering the context, the metaphor may be from music. Coleridge, in his poem "Love," stanza 1, speaks similarly of the capacity of love:

  4. Synopsis: Twelfth Night —an allusion to the night of festivity preceding the Christian celebration of the Epiphany—combines love, confusion, mistaken identities, and joyful discovery. After the twins Sebastian and Viola survive a shipwreck, neither knows that the other is alive. Viola goes into service with Count Orsino of Illyria, disguised as a young man, “Cesario.”.

  5. For God’s sake, Sir Toby, you’ve got to come home earlier at night. My lady Olivia, your niece, disapproves of your late-night partying. SIR TOBY BELCH Well, she can get used to it. MARIA Yes, but you need to keep yourself within the limits of order and decency. SIR TOBY BELCH Keep myself?

  6. Twelfth Night—an allusion to the night of festivity preceding the Christian celebration of the Epiphany—combines love, confusion, mistaken identities, and… Act 1, scene 1 At his court, Orsino, sick with love for the Lady Olivia, learns from his messenger that she is grieving for…

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