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  1. Twelfth Night Metaphors and Similes. Love and Illness. In perhaps the most famous metaphor of the play, Orsino's opening words are, "If music be the food of love, play on. / Give me excess of it, that, surfeiting, / The appetite may sicken and so die" (1.1). In this metaphor, Orsino equates music with something that "feeds" love.

    • Act 3

      Twelfth Night study guide contains a biography of William...

    • Quiz 1

      Essays for Twelfth Night. Twelfth Night literature essays...

    • Character List

      Essays for Twelfth Night. Twelfth Night literature essays...

  2. Definition of Metaphor. A metaphor is a figure of speech that compares two different things by saying that one thing is the other. The comparison in a metaphor... read full definition. Act 1, scene 1. Explanation and Analysis—Lovesickness:

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  4. Metaphor Examples in Twelfth Night: Act I - Scene I. 🔒 2. "debt of love..." See in text (Act I - Scene I) Olivia’s sadness and ardent commitment to keeping that sadness “fresh” in her “remembrance” can be seen as a pose of melancholy. Like Orsino who affects the tropes of love-sickness, Olivia plays the role of melancholy.

  5. Metaphors 7 key examples. Mood 1 key example. Motifs 8 key examples. Parody 2 key examples. Personification 1 key example.

  6. Twelfth Night: Metaphor Analysis. The Fool- Feste represents the contradictory nature of the play. Though he is the fool, he has an incredible wit, and shows that things are not always as they seem. Twelfth Night- The name of the play is a holiday in which things are said to be turned upside down.

  7. Summary. Welcome to the LitCharts study guide on William Shakespeare's Twelfth Night. Created by the original team behind SparkNotes, LitCharts are the world's best literature guides. Twelfth Night: Introduction. A concise biography of William Shakespeare plus historical and literary context for Twelfth Night. Twelfth Night: Plot Summary.

  8. In the opening scenes of Twelfth Night, for example, you will find the words coistrel (i.e., a low-born contemptible fellow), gust (i.e., taste), an (i.e., if), barful (i.e., filled with obstacles or barriers), and indue (i.e., endow, bestow upon). Words of this kind will become familiar the more of Shakespeare’s plays you read.

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