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  1. The use of imagery is basic. Other literary devices are used excessively. Their occurrence in the play Twelfth Night is listed below. The image of flowers is used as simile. It says. “ For women are as roses, whose fair flower being once displayed, doth fall that very hour.”. Precious stones are used as metaphors.

  2. The opening lines of Twelfth Night, in which a moping Orsino, attended by his servants and musicians, says, “If music be the food of love, play on,” establish how love has conquered Orsino (I.i. 1). His speech on this subject is rather complicated, as he employs a metaphor to try to establish some control over love.

  3. Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek. Onto this scene arrive the twins Viola and ...

  4. Introduction: Twelfth Night or What You Will is a comedy by William Shakespeare which was originated. as an entertainment for the close o f the Chr istmas season in 1601. The play e xpanded on the ...

  5. Page 3 - If music be the food of love, play on ; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. Appears in 956 books from 1788-2008 Page 5 - Lovers, and madmen, have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends.

  6. The Twelfth Night soliloquies below are two examples of soliloquies from the play. The first is a particularly important soliloquy as is marks some critical plot developments, with Olivia declaring her love for Cesario and complting the love triangle. This page has only Tewlfth Night soliloquies; you can find the top Twelfth Night monologues here.

  7. Jul 13, 2021 · And so, we can see, Twelfth Night is a play that is saturated in the pandemic that brought England, and indeed Europe, to its knees so many times over several centuries. When we telescope the play and distil the imagery of death and pestilence we get a sense of the pervasive ubiquity of the plague. And through the damp murk and mayhem of ...

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