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Characters in Twelfth Night frequently use metaphorical language to talk about love and desire. One especially evocative metaphor that appears more than once throughout the play likens the human heart to a book and the act of loving to the act of reading. In Act 1, Scene 4, Orsino compares his soul to a locked book:
In this metaphor, Feste compares words to a glove in the hands of a wordsmith (or a playwright, like Shakespeare). He suggests that those who are good with words are able to twist and manipulate language for their own ends.
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Feste uses metaphors to get a third coin out of Orsino. “Play” is a reference to a child’s game in which players call out “one, two, three.” “Third plays for all” means third time’s a charm, and “triplex” is a musical beat played in triple time.
Twelfth Night: Metaphor Analysis. The Fool- Feste represents the contradictory nature of the play. Though he is the fool, he has an incredible wit, and shows that things are not always as they seem. Twelfth Night- The name of the play is a holiday in which things are said to be turned upside down.
Twelfth Night is a play about desire’s power to override conventions of class, religion, and even gender. Several characters begin the play believing they want one thing, only to have love teach them they actually want something else. Orsino thinks he wants Olivia, until he falls in love with Viola (dressed as Cesario.)
At times, Shakespeare has resorted to the use of puns, metaphors, and excessive use of similes that is suitable for prose and verse which reflects the mood of the characters as well as the tone of the play. Analysis of Literary Devices in Twelfth Night
Twelfth Night is sometimes called a "transvestite comedy" for the obvious reason that its central character is a young woman, Viola, who disguises herself as a pageboy, Cesario. In Shakespeare's time, Viola's part, like all the parts in Twelfth Night, would have been played by a man, because women were not allowed to act.
