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  1. This article aims to examine Shakespeare’s comedy Twelfth. Night from the viewpoint of New Historicism based on the literary criticism of. Stephen Greenblatt. The research is mainly built on the ...

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  2. THE TEXTS OF TWELFTH NIGHT. BY LAURIE E. OSBORNE. To all appearances, Twelfth Night has one of the least problem- atic texts in the Shakespearean canon. Unlike Hamlet and King Lear, each with one Folio and one or more Quarto versions, Twelfth Night has a single text because the play only appears in the Folio.

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  4. Oct 4, 2011 · In ‘Twelfth Night: Editing puzzles and eunuchs of all kinds’, Patricia Parker intriguingly revisits the text of this comedy to show us, first, that modern editions of Twelfth Night traditionally emend the Folio in consequential ways that have nonetheless become invisible, and second, that Viola/Cesario's ‘eunuch’ likely refers to a ...

    • Douglas Bruster
    • 2012
  5. Twelfth Night: New Critical Essays. ... The journal of the Sixteenth Century Society. Article DOI. ... Crossref reports no articles citing this article. Close Figure ...

  6. Shakespeare’s genius operates a very wide and unfettered range of human life and character in all its complexity and variety. “Shakespeare is the second most quoted writer in the English language-after the various writers of the Bible ...”. [1] Shakespeare has enfolded all elements of human experience and segments of human sensibility.

    • Arvind Kumar Sharma
    • 2015
  7. Jul 26, 2020 · Twelfth Night is the ninth in a series of comedies Shakespeare wrote during the 1590s that includes The Comedy of Errors, The Taming of the Shrew, A Midsummer Night’s Dream, The Merchant of Venice, and As You Like It and is a masterful synthesis of them all, unsurpassed in the artistry of its execution. In recognizing the barriers to love it ...

  8. In perhaps the most famous metaphor of the play, Orsino's opening words are, "If music be the food of love, play on. / Give me excess of it, that, surfeiting, / The appetite may sicken and so die" (1.1). In this metaphor, Orsino equates music with something that "feeds" love. He asks to have more and more music so that he will overindulge and ...

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