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Sequenza VII (composed 1969) is a composition for solo oboe by Luciano Berio, the seventh of his fourteen Sequenze. The sequenza calls for extended technique. In 1975, Berio used Sequenza VII as part of Chemins IV, which included an orchestra of eleven string instruments.
- 1969
- Serialism
- oboe
Now Naxos enters the Sequenza playing field with equally world-class performances of the cycle, including the Cello Sequenza (No. XIV) written in 2002 (the year before Berio’s death) plus the soprano saxophone version of the Oboe Sequenza (No. VII).
Sequenza ( Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. [1] The pieces, some of which call for extended techniques, are: Sequenza I (1958; rev. 1992) for flute. Sequenza II (1963) for harp.
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On Luciano Berio’s Sequenza VII for Oboe. by Paul Roberts. Not only has the series of Sequenzas (fourteen pieces, the latest being pre-miered in 20021) by Berio provided an enormous contribution to the solo instrumental repertoire since the Second World War, but as a whole they represent a substantial and challenging corpus for performers ...
Feb 12, 2022 · Sequenza IX is a contemporary work by Italian composer Luciano Berio written for solo clarinet (version “IXa”) or solo saxophone (version “IXb”). Since its creation, Sequenza IX has proven itself to be an enduring staple of the contemporary clarinet and saxophone repertoire.
Luciano Berio OMRI (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition Sinfonia and his series of virtuosic solo pieces titled Sequenza), and for his pioneering work in electronic music.
Luciano Berio's Sequenza VII (1969) belongs to the set of solo pieces composed between 1958 and 2002. Several of these Sequenzas were composed specifically with and for a particular musician.5 Berio composed Sequenza VII for Heinz Holliger, the famed Swiss oboist, in 1969,
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