The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees.
Apr 29, 2020 · Ai-Ling Lee was nominated for both sound editing and mixing Oscars for “La La Land.” A new Academy rule change consolidates the two categories into one for the 2021 awards: Achievement in Sound.
Jan 26, 2020 · Re-recording mixer Tom Fleischman was honored with the CAS career achievement award, hailed with congratulation messages from production sound mixer Chris Newman, CAS, and director Martin Scorsese.
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Apr 17, 2021 · The sound mixing team behind Amazon’s Sound of Metal won the Cinema Audio Society Award for outstanding sound mixing in a live action feature Saturday during a virtual presentation of the 57th ...
Apr 19, 2021 · So even if the sound professionals in the Academy—remember, the only people who vote for each category aside from Best Picture are peers in the same field—award Mixing and Editing to the same ...
A sound card mixer is the analog part of a sound card that routes and mixes sound signals. This circuit receives inputs from both external connectors and the sound card's digital-to-analog converters. It selects or mutes, amplifies these signals, adds them together, and finally routes the result to both external output connectors and the sound card's analog-to-digital converters. Different mixing schemes are in use, but the ones implemented in most IBM-PC compatible computers today are variants
- Motion Picture – Live Action
- Motion Picture—Animated
- Motion Picture—Documentary
- Television Series – 1 Hour
- Television Series 1/2 Hour
- Television Movie Or Limited Series
- Television Non-Fiction, Variety Or Music Series Or Specials
Ford v Ferrari
Production Mixer – Steven A. Morrow CAS Re-recording Mixer – Paul Massey CAS Re-recording Mixer – David Giammarco CAS Scoring Mixer – Tyson Lozensky ADR Mixer – David Betancourt Foley Mixer – Richard Duarte
Production Mixer – Tod Maitland CAS Re-recording Mixer – Dean Zupancic Re-recording Mixer – Tom Ozanich Scoring Mixer – Daniel Kresco ADR Mixer – Thomas J. O’Connell Foley Mixer – Richard Duarte
Once Upon a Time in… Hollywood
Production Mixer – Mark Ulano CAS Re-recording Mixer – Michael Minkler CAS Re-recording Mixer – Christian Minkler CAS Foley Mixer – Kyle Rochlin
Toy Story 4
Original Dialogue Mixer – Doc Kane CAS Original Dialogue Mixer – Vince Caro CAS Re-recording Mixer – Michael Semanick CAS Re-recording Mixer – Nathan Nance Scoring Mixer – David Boucher Foley Mixer – Scott Curtis
Original Dialogue Mixer – Tighe Sheldon Re-recording Mixer – Myron Nettinga Scoring Mixer – Nick Wollage Foley Mixer – David Jobe
Original Dialogue Mixer – Paul McGrath CAS Re-recording Mixer – David E. Fluhr CAS Re-recording Mixer – Gabriel Guy CAS Song Mixer – David Boucher Scoring Mixer – Greg Hayes ADR Mixer – Doc Kane CAS Foley Mixer – Scott Curtis
Making Waves: The Art of Cinematic Sound
Production Mixer – David J. Turner Re-recording Mixer – Tom Myers Scoring Mixer – Dan Blanck ADR Mixer – Frank Rinella
Re-recording Mixer – Eric Milano Re-recording Mixer – Brian Eimer
Echo in the Canyon
Production Mixer – John Rampey Re-recording Mixer – Chris Jenkins Re-recording Mixer – Paul Karpinski Music Mixer – Dave Way
Game of Thrones: The Bells
Production Mixer – Ronan Hill CAS Production Mixer –Simon Kerr Production Mixer – Daniel Crowley Re-recording Mixer – Onnalee Blank CAS Re-recording Mixer – Mathew Waters CAS Foley Mixer – Brett Voss CAS
Peaky Blinders: Mr. Jones
Production Mixer – Stu Wright Re-recording Mixer – Nigel Heath Re-recording Mixer – Brad Rees Scoring Mixer – Jimmy Robertson ADR Mixer – Oliver Brierley Foley Mixer – Ciaran Smith
Stranger Things: Chapter Eight: The Battle of Starcourt
Production Mixer – Michael Rayle Re-recording Mixer – Mark Paterson Re-recording Mixer – William Files Scoring Mixer – Hector Carlos Ramirez ADR Mixer – Bill Higley CAS Foley Mixer – Peter Persaud CAS
Production Mixer – Benjamin A. Patrick CAS Re-recording Mixer – Elmo Ponsdomenech CAS Re-recording Mixer – Jason “Frenchie” Gaya ADR Mixer – Aaron Hasson Foley Mixer – John Sanacore CAS AND
Fleabag: Episode #2.6
Production Mixer – Christian Bourne Re-recording Mixer – David Drake ADR Mixer – James Gregory
Modern Family: A Year of Birthdays
Production Mixer – Stephen A. Tibbo CAS Re-recording Mixer – Dean Okrand CAS Re-recording Mixer – Brian R. Harman CAS ADR Mixer – Matt Hovland Foley Mixer – David Torres CAS
Production Mixer – Vincent Piponnier Re-recording Mixer – Stuart Hilliker ADR Mixer – Gibran Farrah Foley Mixer – Philip Clements
Apollo: Missions to the Moon
Re-recording Mixer – John Warrin CAS Scoring Mixer – John Witt Chapman
Deadwood: The Movie
Production Mixer – Geoffrey Patterson CAS Re-recording Mixer – John W. Cook II CAS Re-recording Mixer – Bill Freesh CAS Scoring Mixer – Paul Parker ADR Mixer – Jeff Gomillion
David Bowie: Finding Fame
Production Mixer – Sean O’Neil Re-recording Mixer – Greg Gettens
Country Music: Will the Circle Be Unbroken?
Production Mixer – Mark Roy Re-recording Mixer – Dominick Tavella Re-recording Mixer – Chris Chae
Deadliest Catch: Sixty Foot Monster Episode 1512
Re-recording Mixer – Bob Bronow CAS
Feb 20, 2016 · The sound team from The Revenant won the live-action feature category at the Cinema Audio Society's 52nd annual awards for outstanding achievement in sound mixing on Saturday at the Millennium ...
Apr 18, 2021 · At this year’s ceremony, production sound mixer William B. Kaplan, CAS was honored with the CAS Career Achievement Award, while a Student Recognition Award and two Outstanding Product Awards ...