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  1. Feb 19, 2024 · By definition, virtually all absolute music is instrumental, rather than vocal. Vocal music almost always has words that of course are about something, whether that be in the case of a religious hymn or a song about romantic love. Up until the Romantic period, most instrumental music was absolute, although it was not until the 19th Century that ...

  2. Apr 28, 2024 · The academic definition of absolute music is that any piece of music that is composed or written with the intention to be “non representational”, meaning that it’s not made to be about something specific or used to evoke any extra-musical narrative. This is opposite to program music, where music is intended to be about something, either ...

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  4. Jun 26, 2020 · Characteristics of Absolute Music. The term ‘absolute music’ is thought to have been first used by composer Richard Wagner concerning Beethoven’s 9 th Symphony. Music can be considered to be a form of expression, even a language, with pieces that are specifically intended to convey the meaning of some description.

  5. Jun 24, 2023 · Absolute music, also known as “pure” music or “abstract music”, is music that is not explicitly about anything; it is not intended to tell a story or represent an idea, object, or scene. This contrasts with program music, which aims to depict a narrative or specific non-musical reference. Image of violinists in an orchestra.

  6. Apr 28, 2009 · A bsolute music has no history.So Daniel Chua announced dramatically at the outset of his 1999 book Absolute Music and the Construction of Meaning. 1 Throughout his book he shows how any attempt to grasp absolute music makes it disappear—‘absolute music can only have a history when it is no longer absolute music’. 2 In this sense, he concludes that ‘to write a history of absolute music ...

  7. This book traces the history of the idea of music’s essence as autonomous, self-contained, and wholly self-referential. “Absolute music” is the most common of several terms used to convey this conception, which manifests itself most clearly in compositions that have no text to be sung and no titles or accompanying descriptive terms that ...

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