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  1. Sand’s precocious sense of self predated the rebirth of the bored, unhappy wife and mother Aurore Dupin, Baroness Dudevant, age 26, as “George Sand.”

  2. Sand's parents had married by civil ceremony less than four weeks earlier. There is no known illegitimacy on the maternal side, but there is a long history of bastardy on the grand paternal side. Sand's grandfather had been the proprietor of a billiards hall and had sold birds, canaries, and goldfinches on the streets.

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  4. Lélia, Sand's most fascinating and original work, presents according to. Professor Schor a scandal of genre rather than of gender because it is a failed allegory. Schor highlights the apparent realism of the Lélia character amidst the semireality of the other characters. The allegory fails, says Schor, because Sand.

  5. Dec 11, 2022 · George Sand answers her critics. “I wrote Indiana during the autumn of 1831. It was my first novel; I wrote it with no fixed plan, having no theory of art or philosophy on my mind. I was at the age when one writes with one’s instincts, and when reflection serves only to confirm our natural tendencies. Some people chose to see in the book a ...

  6. George Sand's meeting with Musset in the summer of 1833, the rapid rise of passion that followed, the elopement to Italy in the autumn of that year, Musset's illness and Sand's transference of affection to his physician, Pietro Pagello, the separation of the two artists and the even more agonizing temporary reconciliation

  7. May 31, 1973 · George Sand's was completeness in another universal sense, denied to most women. " Liebe und arbeit said Freud, "love and work are the two pillars of man." George Sand was the author of some seventy novels and novellas, two dozen plays and several score essays. Collected, her work would total at least 150 volumes, twenty-

  8. play a large role in George Sand’s writings, I would argue that literary theory is just as central in shaping the author’s corpus. In this respect, George Sand’s literary production is doubly a “littérature engagée,” a writing shaped by her engagement in the societal debates of her time but also its literary preoccupations.

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