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      • Historiographic metafiction is a literary technique that blurs the lines between history and fiction, often by incorporating historical events, figures, or texts into a fictional narrative. It challenges traditional notions of historical truth and explores the ways in which history is constructed and interpreted.
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  2. Apr 5, 2016 · A term originally coined by Linda Hutcheon, in A Poetics of Postmodernism, historiographic metafiction includes those postmodern works, usually popular novels, which are “both intensely self-reflexive and paradoxically lay claim to historical events and personages”.

  3. Historiographic metafiction is a term coined by Canadian literary theorist Linda Hutcheon in the late 1980s. It incorporates three domains: fiction, history, and theory. [1] Concept. The term is used for works of fiction which combine the literary devices of metafiction with historical fiction.

  4. Historiographic Metafiction. Historiographic metafiction is a literary technique that blurs the lines between history and fiction, often by incorporating historical events, figures, or texts into a fictional narrative. It challenges traditional notions of historical truth and explores the ways in which history is constructed and interpreted.

  5. Nov 24, 2023 · Historiographic metafiction is a literary and theoretical concept that emerged in the postmodern era, characterized by the blending of historical and fictional elements within a narrative framework. It operates as a self-aware and self-reflective mode of storytelling, where authors consciously engage with the act of historical representation.

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  6. Metafiction is a style of prose narrative in which attention is directed to the process of fictive composition. The most obvious example of a metafictive work is a novel about a novelist writing a novel, with the protagonist sharing the name of the creator and each book having the same title.

  7. Mar 7, 2022 · Writing history is an "imaginative reconstruction," and the act of constructing a story of the past is the object of postmodern criticism. "It is historiography's explanatory and narrative emplotments of past events that construct what we consider historical facts" (Hutcheon, 2004, p. 92).

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