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- Motown is a lively, soulful music genre that's all about rhythm, heart, and a whole lot of groove. Born in the 1960s in Detroit, Michigan, Motown is like a blend of pop, soul, and R&B, with a touch of gospel thrown into the mix. This unique genre got its name from Detroit's nickname, 'Motor Town', shortened to 'Motown'.
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- "Stop! In the Name Of Love," The Supremes. There's probably no better example of the classic Supremes song than this monster hit, which took the girl-group genre and brought it out of the realm of bubblegum.
- "I Can't Help Myself (Sugar Pie, Honey Bunch)," The Four Tops. The Motown sound most folks think of when you say the name, a straight four-on-the-floor backed by piano, call-and-response vocals, and elaborate production.
- "The Tears of a Clown," Smokey Robinson and the Miracles. A great example of the way Motown worked horns into their mix, emphatic and rhythmic and propulsive.
- "I Was Made to Love Her," Stevie Wonder. Motown, like the blues, could somehow get either joy or heartbreak out of its sound without changing anything but the lyrics.
Jan 9, 2019 · Sixty years ago, Berry Gordy set up the hit factory of Motown. Arwa Haider looks at how an independent record label created one of the most influential sounds of the 20th Century. On 12 January ...
Gordy’s legendary Motown set new standards that came to be accepted not just in the music industry but at the societal level. This later became one of the American’s stunning success stories due to the significant musical accomplishes that it achieved in the 20th century. Gordy introduced a unique style that influenced culture and favorite ...
- Drums and Percussion
- Pianos and Keys
- Bass
- Guitars
Motown had many drummers on call, all of them ace players who lent their own subtle inflections to any given session. For instance, Benny Benjamin tended to kick off songs or fills with a quick pick-up hit before the beat, as heard on songs like The Temptations' "Get Ready." Other Motown drummers eventually began to adopt this move, cementing it as...
The piano often dictated the harmonic structure of many Motown songs, and the Funk Brothers' bandleader usually led the group from behind the keys. The first bandleader was Joe Hunter, who was succeeded by Earl Van Dyke in 1964. While Hunter played in a bluesy, almost boogie-woogie style, Van Dyke was more aggressive, especially with the bass notes...
Perhaps the most well-known Funk Brother, James Jamerson contributed uniquely melodic basslines that stood out from some of the more basic pop fare at the time (and today). When he switched from upright to electric to do pop sessions, Jamerson kept the action extra-high on his '62 Fender 'Funk Machine' Precision Bass and stuck with an aggressive on...
Many Motown sessions had multiple guitarists, often three, playing at once. Eddie "Chank" Willis typically held down the rhythm by "chanking" on the two and four with a trebly Gibson Firebird. Others, such as Robert White and Joe Messina, would follow the piano melody or add their own lead lines. The guitars in the mid-'60s period were often record...
Feb 23, 2011 · Motown: A Game-Changer For Black Americans. February 23, 20111:00 PM ET. Heard on Talk of the Nation. 34-Minute Listen. Playlist. Fifty years ago, when black musicians had a difficult...
Nov 21, 2023 · Instructor Benjamin Olson. Learn about Motown, the record label's history, and musical legacy. Also learn about Motown's artists, hit songs, and influence on music history. Updated:...
Apr 5, 2024 · Coming of age. That tells a story in itself. In the second half of the 70s, the label seemed to drift. While Motown should have been a shoo-in for disco dominance, Diana Ross was a touch too ...
