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Two fragments of piano concertos, K. 537a and K. 537b, in D major and D minor respectively, were also probably begun in this month, although perhaps earlier. Finally, the last concerto, No. 27 (K. 595) was the first work from the last year of Mozart's life: it represents a return to form for Mozart in the genre.
- Piano and orchestra
- Flute Concerto No. 2 in D Major – K. 314. Mozart’s Flute Concerto No. 2 is an adaption of the original concerto composed for oboe in 1777. It came into creation when flutist Ferdinand De Jean commissioned Mozart to compose four new quartets and three new concertos for flute.
- Piano Concerto No. 24 in C minor – K. 491. Who doesn't love it when Mozart composes in minor keys? Piano Concerto No. 24 is actually one of only two piano concertos Mozart wrote in a minor key (the other is Piano Concerto No. 20 in d minor).
- Piano Concerto No. 9 in E flat Major – K. 271. Fun, exuberant, lovely, and pleasant are words that come to mind when describing Mozart’s Piano Concerto No. 9.
- Piano Concerto No. 17 in G Major – K. 453. Scored for flute, two oboes, two bassoons, two horns, strings, and solo piano, Mozart completed his Piano Concerto No. 17 in 1784.
Among Mozart's piano works, none are explicitly written with a part for a pedal-board. However, according to Leopold's report, at the first performance of Piano Concerto No. 20 in D Minor (K. 466), Mozart, who was the soloist and conductor, used his own piano, equipped with a pedal-board.
Mitsuko Uchida, Piano & ConductorCamerata Salzburg0:57 - Allegro 15:42 - Romance 24:38 - Allegro assai
- 34 min
- Critical reception
The Piano Concerto No. 24 in C minor, K. 491, is a concerto composed by Wolfgang Amadeus Mozart for keyboard and orchestra. Mozart composed the concerto in the winter of 1785–1786, finishing it on 24 March 1786, three weeks after completing his Piano Concerto No. 23 in A major. As he intended to perform the work himself, Mozart did not write out the soloist's part in full. The premiere was in early April 1786 at the Burgtheater in Vienna. Chronologically, the work is the twentieth of...
The concerto is divided into the following three movements: Allegro in C minor, Larghetto in E♭ major, Allegretto in C minor,, with the eight variation and coda in The concerto is scored for one flute, two oboes, two clarinets, two bassoons, two horns, two trumpets ...
The first movement is longer and more complex than any that Mozart had previously composed in the concerto genre. It is in 3 4; among Mozart's 27 piano concertos, No. 4 in G Major, No. 11 in F major and No. 14 in E♭ major are the only others to commence in triple metre ...
Alfred Einstein said of the concerto's second movement that it "moves in regions of the purest and most moving tranquility, and has a transcendent simplicity of expression". Marked Larghetto, the movement is in E♭ major and cut common time. The trumpets and timpani play no ...
Ludwig van Beethoven admired the concerto and it may have influenced his Piano Concerto No. 3, also in C minor. After hearing the work in a rehearsal, Beethoven reportedly remarked to a colleague that "e shall never be able to do anything like that." Johannes Brahms also admired the concerto, encouraging Clara Schumann to play it, and wrote his own cadenza for the first movement. Brahms referred to the work as a "masterpiece of art and full of inspired ideas." Among modern and twentieth-century
- 1786: Vienna
- 3 (Allegro, Larghetto, Allegretto)
- Keyboard, orchestra
The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.
- Piano, orchestra
- Three (Allegro maestoso, Andante, Allegro vivace assai)
- C major