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Jan 31, 2024 · In addition to a solo piano, this piece is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani and strings. The Story: The composition of Rachmaninoff’s Third Piano Concerto in 1909 is mysterious.
- Composed Under Hypnosis?
- It Starts with Nothing But Piano
- The Bit That Everyone Knows
- It’S Not All About The Second Movement, Though
First things first, let’s look at the state of Sergei Rachmaninovin 1900, when he started composing this towering piano masterpiece. He’d been absolutely pilloried in the press for his Symphony No. 1 a couple of years before and, to put it mildly, he was in a bit of a huff about it. Explore the Ultimate Classic FM Hall of Fame > Rachmaninov would h...
Bold move, chap. Bold move. Then the first movement becomes a storm of different themes, handed around the piano and the rest of the orchestra in a maelstrom of interconnectivity, until the towering ending, a right old clatter in C minor. Here's Simon Trpceski to explain:
Ah yes, the second movement. An epoch of sentimentality, the very apogee of emotion, partly thanks to this film: Here’s what the business end of the draining second movement looks like: It’s also got a fiendish cadenza, like this: Woof etc.
The finale is a beast. There’s plenty of meat to it, but it’s worth just having a little look at the very end, where the speed suddenly lurches out of control and hurtles towards a truly thudding climax. As you can see, it looks like an absolute nightmare: Even Lang Lang’s signature ‘ecstatic backwards flail’ manoeuvre turns out to be impossible un...
The Third Concerto served the same purpose as the Second in this way: he "spoke directly to the Russian soul." The concerto soon became more popular in the United States than the Second Concerto, partially due to the fact that Rachmaninoff wrote the Third specifically for his American tour.
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Oct 7, 2020 · The Piano Concerto #3 by Rachmaninov was first performed on Sunday, November 28, 1909 in New York City. Sergei Rachmaninoff was the soloist. The work received a second performance under conductor Gustav Mahler on January 16, 1910, an “experience Rachmaninoff treasured.” Rachmaninoff later described the rehearsal:
For pianists, Rachmaninoff’s Third Piano Concerto stands as the ultimate challenge—the Mt. Everest of the concerto repertoire. Its herculean technical demands, titanic scale (the soloist plays almost non-stop for the entire 45 minutes), and emotional richness scared off such seasoned virtuosi as Joseph Lhévinne, Arthur Rubinstein, and Sviatoslav Richter.
Rachmaninov composed the concerto in 1909 – a full nine years after the premiere of his Piano Concerto No.2. The third is grander, fuller, and more expansive in tone and style – with the soloist stretched to the very limits of their ability.
Today I am going to share with you many performances of Rachmaninoff’s third concerto, but I’d like to discuss three. The first is by Rachmaninoff himself. Note that Rachmaninoff performs it in 30 minutes (everyone else plays it in around 44 minutes or longer).
