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  1. Modern Film Movements. No Wave Cinema is a radical underground film movement that emerged in the late 1970s in New York City. It’s known for its gritty, low-budget aesthetic and its rejection of conventional storytelling. We’ll jump into the origins of No Wave Cinema, explore its key figures, and discuss why it’s still influential in ...

  2. No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with (and partially sponsored by) the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to ...

    • United States
    • 1976-1985
  3. No Wave Cinema’s defining characteristics were as unconventional and raw as the movement itself. Embracing an unfiltered aesthetic, filmmakers of this era often wielded 16mm or Super 8mm film to capture grainy, high-contrast black-and-white imagery, effectively immersing viewers in its stark and gritty atmosphere.

  4. No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music ...

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    • The Blank Generation (Ivan Kral, Amos Poe – 1976) One of the earliest examples of No Wave cinema, The Blank Generation explored the contemporary music scene by featuring behind-the-stage footage of future icons.
    • Rome ’78 (James Nares – 1978) Rome ’78 is one of the more famous works from the No Wave movement, blurring the lines between historical accuracy and modernist symbolism.
    • Guerillere Talks (Vivienne Dick – 1978) A seminal film that has now come to be seen as a vastly influential feminist piece, this 1978 avant-garde short was Vivienne Dick’s first film.
    • Smithereens (Susan Seidelman – 1982) This 1982 drama about a narcissistic young girl looking to make it big is definitely one of the standout No Wave films.
  6. No wave cinema was a Colab-sponsored boom (1976–1985) in underground filmmaking on the Lower East Side of New York City.Its name, much like its cousin no wave music, was a stripped-down style of guerrilla filmmaking that emphasized mood and texture above other concerns.

  7. No Wave cinema is a movement in independent filmmaking that emerged in the late 1970s in New York City. The movement was a reaction to the Hollywood-dominated film industry and mainstream cinema’s perceived superficiality and commercialization. No Wave filmmakers sought to create a new, more experimental, and avant-garde form of cinema that ...

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