Search results
Richard Strauss in 1910. Der Rosenkavalier ( The Knight of the Rose or The Rose-Bearer [1] ), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. [2] It is loosely adapted from Louvet de Couvrai 's novel Les amours du chevalier de Faublas and Molière 's comedy Monsieur de ...
- German
- 26 January 1911, Königliches Opernhaus, Dresden
Jul 19, 2014 · Der Rosenkavalier represents the apogee of Richard Strauss's popularity, and perhaps of his life. He had a deep affection for it, a profound identification with it; in his will he stipulated that ...
The Marschallin, with much bittersweet feeling, yields her place to the younger woman, and the trio becomes a duet for Sophie and Octavian. “We are together,” Octavian proclaims. “All else is like a dream.”. Betsy Schwarm. Der Rosenkavalier, comic opera in three acts by German composer Richard Strauss (German libretto by Austrian ...
- Betsy Schwarm
People also ask
Is Der Rosenkavalier based on a true story?
Did Strauss Make A Waltz in Der Rosenkavalier?
Is Der Rosenkavalier Richard Strauss's apogee?
When did Der Rosenkavalier come out?
Der Rosenkavalier (Op. 59) (The Knight of the Rose) is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière's comedy Monsieur de Pourceaugnac. It was first performed at the Königliches ...
Mar 6, 2017 · Der Rosenkavalier is a three-act comic opera by Richard Strauss that premiered on January 26, 1911, at the Konigliches Opernhaus in Dresden. The opera takes place in 1740s' Vienna, early in Maria Therese's reign. Here is a synopsis of the three acts.
Jun 4, 2017 · Press image for the first English production of Der Rosenkavalier, taken from “For the First Time in England: Strauss’s Der Rosenkavalier”, Illustrated London News, February 1, 1913 (via ...
Dec 21, 2016 · Infused with heady fragrances and cloaked in a shimmering robe, the orchestra invites us, from the opening notes, to a night of passion: oozing with sentiment, its languorous strings and whooping horns vividly suggest the nocturnal pleasures of the Marschallin and her young lover Octavian.
