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Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. [1] Its intention was, according to leader André Breton, to "resolve the previously ...
- Surrealist Manifesto
The Surrealist Manifesto refers to a collection of several...
- Juxtapositions
Main page; Contents; Current events; Random article; About...
- Cultural Movement
A cultural movement is a change in the way a number of...
- List of Films Influenced by The Surrealist Movement
Surrealism was a cultural movement which began in the early...
- Yves Tanguy
Yves Tanguy and Surrealism. Hatie Cantz Publications....
- Surrealist cinema
Surrealism. Surrealist cinema is a modernist approach to...
- Surrealist Manifesto
- Overview
- Characteristics
- Surrealist artists
Surrealism was a movement in visual art and literature that flourished in Europe between World Wars I and II. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics previously and that had culminated in the horrors of World War I. Drawing heavily on theories adapted from Sigmund Freud, Surrealists endeavoured to bypass social conventions and education to explore the subconscious through a number of techniques, including automatic drawing, a spontaneous uncensored recording of chaotic images that “erupt” into the consciousness of the artist; and exquisite corpse, whereby an artist draws a part of the human body (a head, for example), folds the paper, and passes it to the next artist, who adds the next part (a torso, perhaps), and so on, until a collective composition is complete.
Sigmund Freud
Read about Sigmund Freud, the neurologist whose theories informed the Surrealist movement.
What are the characteristics of Surrealism?
Surrealism has no unified style, but, in painting, one can distinguish a range of possibilities falling between two extremes. At one pole, the viewer is confronted by a world that is completely defined and minutely depicted but that makes no rational sense: realistically painted images are removed from their normal contexts and reassembled within an ambiguous, paradoxical, or shocking framework. It is exemplified in the works of such artists as René Magritte and Salvador Dalí. At the other pole, variously called organic, emblematic, or absolute Surrealism, the viewer is confronted with abstract images, usually biomorphic, that are suggestive but indefinite. This approach is exemplified by artists such as Jean Arp, Max Ernst, and Joan Miró.
Salvador Dalí
In the poetry of Breton, Paul Éluard, Pierre Reverdy, and others, Surrealism manifested itself in a juxtaposition of words that was startling because it was determined not by logical but by psychological—that is, unconscious—thought processes. Surrealism’s major achievements, however, were in the field of painting. Surrealist painting was influence...
With its emphasis on content and free form, Surrealism provided a major alternative to the contemporary, highly formalistic Cubist movement and was largely responsible for perpetuating in modern painting the traditional emphasis on content. The work of major Surrealist painters is too diverse to be summarized categorically. Each artist sought his or her own means of self-exploration. Some single-mindedly pursued a spontaneous revelation of the unconscious, freed from the controls of the conscious mind, while others, notably the Catalan painter Joan Miró (though he never officially joined the group), used Surrealism as a liberating starting point for an exploration of personal fantasies, conscious or unconscious, often through formal means of great beauty.
A range of possibilities falling between the two extremes can be distinguished. At one pole, exemplified at its purest by the works of the French artist Jean Arp, the viewer is confronted with images, usually biomorphic, that are suggestive but indefinite. As the viewer’s mind works with the provocative image, unconscious associations are liberated, and the creative imagination asserts itself in a totally open-ended investigative process. To a greater or lesser extent, the German artist Max Ernst, French painter André Masson, and Miró also followed this approach, variously called organic, emblematic, or absolute Surrealism.
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At the other pole the viewer is confronted by a world that is completely defined and minutely depicted but that makes no rational sense: fully recognizable, realistically painted images are removed from their normal contexts and reassembled within an ambiguous, paradoxical, or shocking framework. The work aims to provoke a sympathetic response, forcing the viewer to acknowledge the inherent “sense” of the irrational and logically inexplicable. The most direct form of this approach was taken by Belgian artist René Magritte in simple but powerful paintings such as that portraying a normal table setting that includes a plate holding a slice of ham, from the centre of which stares a human eye. Spanish artist Salvador Dalí, French painter Pierre Roy, and Belgian artist Paul Delvaux rendered similar but more complex alien worlds that resemble compelling dreamlike scenes.
French-born American painter Yves Tanguy’s style was somewhere between the two poles. He often painted with painstaking detail ambiguous forms, which resemble marine invertebrates or sculpturesque rock formations, and set them in barren, brightly lit landscapes that have an infinite horizon.
- The Editors of Encyclopaedia Britannica
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What is surrealist cinema?
Surrealism was the first artistic movement to experiment with cinema in part because it offered more opportunity than theatre to create the bizarre or the unreal. The first film characterized as Surrealist was the 1924 Entr'acte , a 22-minute, silent film, written by Rene Clair and Francis Picabia , and directed by Clair.
Surrealism originated in the late 1910s and early ’20s as a literary movement that experimented with a new mode of expression called automatic writing, or automatism, which sought to release the unbridled imagination of the subconscious. Officially consecrated in Paris in 1924 with the publication of the Manifesto of Surrealism by the poet ...
Surrealism. A modern work in the style of surrealism. Objects on a dreamlike landscape. Surrealism was an art and cultural movement which began in the late 1910s. [1] The name was first used in 1917. Guillaume Apollinaire wrote the program notes for the ballet Parade, which was created for the Ballets Russes of Serge Diaghilev.
Sep 13, 2017 · Surrealism is an artistic movement that has had a lasting impact on painting, sculpture, literature, photography and film. Surrealists—inspired by Sigmund Freud’s theories of dreams and the ...
