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Destination Tokyo is a 1943 black and white American submarine war film. [3] The film was directed by Delmer Daves in his directorial debut, [4] and the screenplay was written by Daves and Albert Maltz, based on an original story by former submariner Steve Fisher. [5]
- $1,516,000
Mar 5, 2024 · Mass Media. Source: Rottentomatoes.com. Destination Tokyo, released in 1943, is a classic war film that takes audiences on an unforgettable journey into the heart of World War II. Directed by Delmer Daves, this gripping tale follows the crew of a U.S. Navy submarine as they embark on a dangerous mission to gather intelligence in Tokyo Bay.
- Bill Newberry
According to 'Hollywood Reporter' of 26 July 1943, some filming for this movie was shot on location at Portuguese Bend which is near Redondo Beach, California. Apparently, President Franklin Delano Roosevelt mandated that this movie make no explicit reference to either military electronics or radar. Before disarming the bomb, Tommy ( Robert ...
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Destination Tokyo: Directed by Delmer Daves. With Cary Grant, John Garfield, Alan Hale, John Ridgely. In order to provide information for the first air raid over Tokyo, a U.S. submarine sneaks into Tokyo Bay and places a spy team ashore.
- (5.6K)
- Adventure, War
- Delmer Daves
- 1943-12-31
In Theaters At Home TV Shows. Captain Cassidy (Cary Grant) is in charge of a submarine on a mission so secret even he doesn't know what it is until his ship departs San Francisco and he opens his...
- (6)
- Cary Grant
- Delmer Daves
- Warner Brothers/Seven Arts
When a returning Japanese cruiser and two destroyers approach the bay, Cassidy decides to follow them into the bay and thus avoid the mines. That night, Wolf, Raymond and Sparks go ashore to make the observations necessary for a future air attack on Tokyo.
Destination Tokyo is a 1943 American wartime propaganda film directed by Delmer Daves—it was his directorial debut. It involves the fictional mission of of a fictional submarine, the USS Copperfin , in the Pacific theater of World War II .
