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Apr 25, 2023 · English: Portrait of Pope Julius II by Raffaello Sanzio, second version kept in the Uffizi Gallery, copy from the original now in the National Gallery, London Suomi: Raffaello Sanzion paavi Julius II:n muotokuva, toinen versio säilytetään Uffizi-galleriassa, kopio alkuperäisestä nyt National Galleryssa Lontoossa
Dec 11, 2023 · File:Portrait of Pope Julius II (SM 2337).png; File:Portrait of Pope Julius II della Rovere (by Raffaello Sanzio) – Galleria degli Uffizi, Florence.jpg; File:Portrait of Pope Julius II della Rovere (by Raffaello Sanzio and Workshop) – Galleria degli Uffizi, Florence.jpg; File:Raffael workshop - Portrait of Julius II - Uffizi.jpg
The Conversion of Saul. Mary and Christ. The Last Judgment ( Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Video transcript. (music playing) Beth: And here we have Julius II, painted by Rafael. Julius II, the great patron of the high Renaissance, and it's thanks to Julius that we have, oh gosh, so many things. The ceiling of the Sistine Chapel, the Basilica of Saint Peter's, Rafael's frescoes in the Stanza.
- 4 min
- Beth Harris,Steven Zucker
In the first two of these frescoes, Raphael flatteringly includes his patron, Pope Julius II, as participant or observer; the third, painted after Julius's death, includes a portrait of his successor, Leo X. Raphael's style changed here from the Stanza della Segnatura.
Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘Portrait of Pope Julius II’ was created in 1546 by Titian in Mannerism (Late Renaissance) style. Find more prominent pieces of portrait at Wikiart.org – best visual art database.
The pope is depicted with unflinching realism and an old, tired and distrustful man, but who nevertheless has an intelligent and sharp expression. The painting is a reinterpretation of Raphael's Portrait of Pope Julius II. Characteristic of Titian's late style, it consists of broad brushstroke and loose definition in the form.
