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      rottentomatoes.com

      • Vanilla Sky has moments of brilliance and bears a certain style, but the movie is neither simple enough for sheer popcorn-thriller fun nor complex enough for true psychodrama buffs. It lies somewhere in a middle ground, and anyone that tells you different... needs to open his eyes.
      www.metacritic.com › movie › vanilla-sky
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  2. Dec 14, 2001 · Reviews. Vanilla Sky. Roger Ebert December 14, 2001. Tweet. Now streaming on: Powered by JustWatch. Think it all the way through, and Cameron Crowe 's "Vanilla Sky" is a scrupulously moral picture.

  3. Dec 14, 2001 · An ambitious mix of genres, Vanilla Sky collapses into an incoherent jumble. Cruise's performance lacks depth, and it's hard to feel sympathy for his narcissistic character. Read Critics...

    • (174)
    • Cameron Crowe
    • R
    • Tom Cruise
  4. Dec 25, 2023 · “Vanilla Sky” blurs the lines between dreams and reality, with multiple dream sequences scattered throughout the film. David’s dreams often intertwine with his waking life, creating a sense of confusion and uncertainty for both the character and the audience.

  5. en.wikipedia.org › wiki › Vanilla_SkyVanilla Sky - Wikipedia

    On Metacritic, the film has a weighted average score of 45 out of 100 based on 33 reviews, indicating "mixed or average reviews". [23] Audiences polled by CinemaScore gave the film a grade "D−" on a scale from A to F. [24] Roger Ebert 's printed review of Vanilla Sky awarded the film three out of four stars:

    • December 14, 2001
  6. Full Review | Original Score: 3.5/4 | Dec 15, 2005. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers...

  7. Feb 16, 2024 · He starts getting flashbacks and glimpses of something eerie as Sofia gets replaced by Julie, who claims she is Sofia. David is flummoxed, and he tries to call the police, only for the police to arrest him. His lawyer, Thomas Tipp, played by Timothy Spall, shows him the pictures where he has brutally beaten up Julie.

  8. Crowe's films always have an impossibly bright, strikingly beautiful sheen in their composition, displayed here by a distinct urge to forge the melodrama, and melancholy not with dark, muted tones like some craftsmen might, but to keep a vibrantly lit, dreamy aesthetic that never lets go of beauty, even in dark places.

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