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  1. Edwardes originally worked as a manager for Richard D'Oyly Carte at the Savoy Theatre, overseeing the spectacular success of the Gilbert and Sullivan operas. Footnote 9 He wanted to go into management for himself and decided to become joint owner with John Hollingshead of the Gaiety Theatre across the road from the Savoy in 1885. He became sole ...

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  2. The Gaiety Girl as icon Let us start with the figure of the ‘Gaiety Girl’ who emerged through George Edwardes’s pioneering role in musical comedy.8 She succeeded earlier icons of independent femininity such as the figure of the ‘Girl of the Period’. Edwardes originally worked as a manager for Richard D’Oyly Carte at the

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  4. He perceived that audiences wanted a new alternative to the Savoy-style comic operas and their intellectual, political, absurdist satire. He experimented with a modern-dress, family-friendly musical theatre style, with breezy, popular songs, snappy, romantic banter, and stylish spectacle at the Gaiety, Daly's Theatre and other venues. These ...

  5. Jun 9, 2017 · Il mondo della luna. Il mondo della luna, Hob. 28/7, is an opera buffa by Joseph Haydn with a libretto written by Carlo Goldoni in 1750, first performed at Eszterháza, Hungary, on 3 August 1777. Goldoni's libretto had previously been set by four other composers, first by the composer Baldassare Galuppi and performed in Venice in the carnival ...

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  6. 1750-1800: America declares independence, Jane Austen reboots the rom-com, Napoleon tries to conquer the world, and opera takes on a more refined tone. Journey through opera’s second “phase”: the Classical era. Expect a review of how and why opera reinvented itself during the Enlightenment, as well as an introduction to one of opera’s ...

  7. Gentry’s #1 single tells the story of a family dinner where the narrator finds out that her boyfriend, Billie Joe McCallister, has jumped off the Tallahatchee Bridge; the day before, people spotted her and Billie Joe throwing an unidentified object off the same bridge. “Everybody has a different guess about what was thrown off the bridge ...

  8. Edwardes offered him the opportunity of producing Ivan Caryll’s comic opera The Duchess of Dantzic at the Lyric, London, in 1903. Courtneidge then leased the Shaftesbury and spent £12,000 reconstructing the auditorium. Footnote 16 He went on to produce and direct Fall’s Princess Caprice (Der liebe Augustin) and Gilbert’s Cinema Star there.

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