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      • Rolling Stone called it one of the top five greatest songs of all time. But here's the thing: "Respect" wasn't entirely Aretha Franklin's. Otis Redding wrote and recorded it first, or at least his version of it.
      www.cbsnews.com › news › how-aretha-franklins-respect-became-one-of-the-greatest-songs-of-all-time
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  2. Mar 30, 2022 · Originally written and recorded by Otis Redding in 1965, off of the soul singer’s third album Otis Redding Sings Soul, “ Respect ” was never the same once Aretha Franklin rearranged the...

  3. Charted: 10 1. License This Song . lyrics. artistfacts. Songfacts®: Otis Redding wrote this and originally recorded it in 1965, with his version hitting #35 in the US. Redding said of the song shortly before his death in 1967: "That's one of my favorite songs because it has a better groove than any of my records.

    • Who Wrote ‘Respect’?
    • What Are The Main Differences Between The Two Tracks?
    • What’s The Story Behind Aretha’s Version of ‘Respect’?
    • Where Did ‘Respect’ Land in The Music Charts?
    • Who Else Has Covered The Track?

    'Respect' was originally written by Otis Redding. He released the track in 1965, and it appeared on his album titled Otis Blue.

    There are two distinct differences in the sounds between Otis’ and Aretha’s ‘Respect’ tracks. Otis’ version was a man making a plea with his love whereas Aretha changed the arrangement and added additional layers to the track. These changes included adding backup vocals and the iconic and catchy spelling of “R-E-S-P-E-C-T” to the chorus. Aretha's v...

    ‘Respect’ is Aretha’s signature song; it became a soundtrack for the racial and gendered political movements of its time when it was released in 1967. Aretha was aware of its power and said that it depicted “the need of a nation” and added that it was of “monumental significance”. “It [reflected] the need of a nation, the need of the average man an...

    ‘Respect’ peaked at number ten and spent 14 weeks on the UK chart when it was first released. In the US, it reached number one on the Billboard 100 chart.

    Aretha’s version of ‘Respect’ became the more popular version of the song. One of the better known covers of ‘Respect’ was performed by Diana Ross and The Supremes and The Temptations in 1968. It has also been covered by artists such as Stevie Wonder and Kelly Clarkson.

    • Hannah Lovejoy
  4. Apr 29, 2021 · When released in April on Franklin’s debut Atlantic album, I Never Loved a Man the Way I Love You, ‘Respect’ immediately reached number one on both the pop and R&B charts. The song is now realized as Franklin’s signature and is considered an early feminist and civil rights anthem.

    • “I Never Loved a Man (The Way I Love You)” The song that gave Franklin her 1967 commercial breakthrough had a tortured birth. She had been struggling in her career for over half a decade by then, having recorded no fewer than nine albums for Columbia Records without finding a signature sound, much less a hit.
    • “Respect” For the follow-up to “I Never Loved a Man,” Atlantic chose a song that had been a hit for Otis Redding two years earlier. In 1965, the “I’ve Been Loving You Too Long” crooner recorded a version of “Respect” that was fun but far less distinct than Franklin’s take.
    • “(You Make Me Feel Like) a Natural Woman” One of Aretha’s signature songs was served up on request. Producer Jerry Wexler asked the hit team of Carole King and Gerry Goffin to craft something worthy of soul’s greatest voice.
    • “Chain of Fools” Serious troubles in Franklin’s marriage (to manager Ted White) informed her performance of this classic ode to disappointment and betrayal.
  5. Aug 30, 2018 · The Queen of Soul's rendition of "Respect" is one of the most influential recordings in pop music history and one of the most indelible songs to come out of the rock 'n' roll era. The...

  6. Aug 14, 2018 · Originally written and performed by Otis Redding, "Respect" became a feminist and civil rights anthem by the "Queen of Soul." Here's how that happened. (Video: Sarah Hashemi, Daron Taylor/The...

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