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  1. en.wikipedia.org › wiki › GaramondGaramond - Wikipedia

    In particular, many 'Garamond' revivals of the early twentieth century are actually based on the work of a later punchcutter, Jean Jannon, whose noticeably different work was for some years misattributed to Garamond. The most common digital font named Garamond is Monotype Garamond.

    • Serif
    • Adobe Garamond Pro (regular style based on Garamond's work; italic on the work of Robert Granjon)
  2. Oct 20, 2017 · Garamond is an old-style serif typeface that was created by engraver Claude Garamond in the 16th century. Often used for printing body text and books. Letters with relatively organic structure...

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  4. Feb 1, 2022 · His typefaces, meticulously designed to resemble a more legible version of pen-and-ink handwriting, inspired a printer named Jean Jannon to create a similar type (also named after Garamond)...

  5. typographica.org › typeface-reviews › jjannonJJannon – Typographica

    Jan 19, 2021 · JJannon manages to transpose those dark corners into new technologies, and therefore retains an aftertaste of early digital type: cupped serifs, blunted angles, and, above all, relatively high contrast for a text typeface.

  6. en.wikipedia.org › wiki › Jean_JannonJean Jannon - Wikipedia

    Jannon's typefaces are based on the style of the previous century, especially the roman. Some differences in the roman are his characteristic 'a' with a curved bowl and the top left serifs of letters such as 'm' and 'p', with a distinctive scooped-out form.

  7. Mar 15, 2020 · Originating from the designs of French punch-cutter Claude Garamond, the current family of typefaces is still based upon his original designs, even though Jean Jannon further elaborated Garamond’s designs in the 17th century.

  8. Oct 1, 2009 · • specimens for several of Rudolf Koch’s principal typefaces: Eve Antiqua (also known as Koch Antiqua), Wilhelm Klingsporschrift, Wallau, Jessen, Claudius. • Mergenthaler Linotype’s Big Red Book (c.1937) with Metro and Electra by Dwiggins as well as several of the Legibility Group of typefaces by C.H. Griffith and Bell Gothic.

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