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    • Requiem. Mozart’s Requiem is possibly the greatest ever example of the power of music. After receiving a commission from an anonymous source, Mozart embarked on one of the most soul-searching musical journeys of his life.
    • Horn Concerto No.4. A cheery horn melody, coupled with playful strings, is enough to put anyone in a good mood. Mozart wrote it in 1786 for his friend Joseph Leutgeb, a virtuoso horn player.
    • The Marriage of Figaro. Mischievous scurrying strings, interrupted by grandiose wind and brass fanfares, Mozart manages to tell more or less the whole story of his opera in its overture’s first eight bars!
    • Piano Concerto No.21, ‘Elvira Madigan’ Mozart’s Piano Concerto No.21 has received much of its popularity from its use in themes, and it’s also one of his greatest works.
    • Overview
    • Early life and works

    Wolfgang Amadeus Mozart (1756–91) was an Austrian composer. Mozart composed music in several genres, including opera and symphony. His most famous compositions included the motet Exsultate, Jubilate, K 165 (1773), the operas The Marriage of Figaro (1786) and Don Giovanni (1787), and the Jupiter Symphony (1788). In all, Mozart composed more than 600 pieces of music. Today he is widely considered one of the greatest composers in the history of Western music.

    opera: From the “reform” to grand opera

    Learn about the “reform” of opera in Mozart’s time.

    symphony: The mature Classical period

    Read about Mozart’s contributions to the genre of the symphony.

    How old was Mozart when he began playing music?

    Mozart most commonly called himself Wolfgang Amadé or Wolfgang Gottlieb. His father, Leopold, came from a family of good standing (from which he was estranged), which included architects and bookbinders. Leopold was the author of a famous violin-playing manual, which was published in the very year of Mozart’s birth. His mother, Anna Maria Pertl, was born of a middle-class family active in local administration. Mozart and his sister Maria Anna (“Nannerl”) were the only two of their seven children to survive.

    The boy’s early talent for music was remarkable. At three he was picking out chords on the harpsichord, at four playing short pieces, at five composing. There are anecdotes about his precise memory of pitch, about his scribbling a concerto at the age of five, and about his gentleness and sensitivity (he was afraid of the trumpet). Just before he was six, his father took him and Nannerl, also highly talented, to Munich to play at the Bavarian court, and a few months later they went to Vienna and were heard at the imperial court and in noble houses.

    “The miracle which God let be born in Salzburg” was Leopold’s description of his son, and he was keenly conscious of his duty to God, as he saw it, to draw the miracle to the notice of the world (and incidentally to profit from doing so). In mid-1763 he obtained a leave of absence from his position as deputy Kapellmeister at the prince-archbishop’s court at Salzburg, and the family set out on a prolonged tour. They went to what were all the main musical centres of western Europe—Munich, Augsburg, Stuttgart, Mannheim, Mainz, Frankfurt, Brussels, and Paris (where they remained for the winter), then London (where they spent 15 months), returning through The Hague, Amsterdam, Paris, Lyon, and Switzerland, and arriving back in Salzburg in November 1766. In most of these cities Mozart, and often his sister, played and improvised, sometimes at court, sometimes in public or in a church. Leopold’s surviving letters to friends in Salzburg tell of the universal admiration that his son’s achievements aroused. In Paris they met several German composers, and Mozart’s first music was published (sonatas for keyboard and violin, dedicated to a royal princess); in London they met, among others, Johann Christian Bach, Johann Sebastian Bach’s youngest son and a leading figure in the city’s musical life, and under his influence Mozart composed his first symphonies—three survive (K 16, K 19, and K 19a—K signifying the work’s place in the catalog of Ludwig von Köchel). Two more followed during a stay in The Hague on the return journey (K 22 and K 45a).

    Britannica Quiz

    Quiz: Who Composed It?

    After little more than nine months in Salzburg the Mozarts set out for Vienna in September 1767, where (apart from a 10-week break during a smallpox epidemic) they spent 15 months. Mozart wrote a one-act German singspiel, Bastien und Bastienne, which was given privately. Greater hopes were attached to his prospect of having an Italian opera buffa, La finta semplice (“The Feigned Simpleton”), done at the court theatre—hopes that were, however, frustrated, much to Leopold’s indignation. But a substantial, festal mass setting (probably K 139/47a) was successfully given before the court at the dedication of the Orphanage Church. La finta semplice was given the following year, 1769, in the archbishop’s palace in Salzburg. In October Mozart was appointed an honorary Konzertmeister at the Salzburg court.

    • ‘Overture’ from The Marriage Of Figaro, K492. The Marriage Of Figaro (Le Nozze Di Figaro), premiered in 1786, is an ideal place to begin an exploration of the best Mozart works and the opera’s ‘Overture’ sets its mood perfectly.
    • Symphony No.41 in C, K551 – Jupiter. If he was keeping count Mozart cannot have expected his 41st Symphony to be his last – but so it turned out. He certainly wrote nothing more complex than this brilliant, ambitious work, the finale of which offers a display of contrapuntal skills second to none in the whole of music.
    • Requiem Mass in D minor, K626. Our understanding of Mozart’s Requiem is inevitably coloured by the fact that it was his final work, and that he died before he could complete it.
    • Quintet in A for Clarinet and Strings, K581. Mozart’s affinity for the clarinet is evident in many of his works, but particularly in the late pieces that were written for his friend Anton Stadler to play.
  1. Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works representing virtually every Western classical genre of his time.

  2. Apr 3, 2014 · Best Known For: A prolific artist, Austrian composer Wolfgang Mozart created a string of operas, concertos, symphonies and sonatas that profoundly shaped classical music. Industries Classical

  3. Jun 1, 2023 · Barbara Krafft (Public Domain) Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer who wrote a wide range of works including piano concertos, string quartets, symphonies, operas, and sacred music.

  4. Wolfgang Amadeus Mozart, Austrian composer, widely recognized as one of the greatest composers in the history of Western music. Unlike any other composer in musical history, he wrote in all the musical genres of his day and excelled in every one. Learn more about Mozart in this article.