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Jan 4, 2018 · Many developed their own careers and some even became industry icons - like the studio musicians known as Muscle Shoals Rhythm Section and, thanks to a famous Lynyrd Skynyd lyric, The...
His rhythm section (piano, bass and drums) was Briggs, Putnam, and Carrigan. One of Hall's first protégés was an African American bellhop at the Sheffield Hotel named Arthur Alexander, who had written some songs.
May 1, 2014 · The documentary traces the history behind the Muscle Shoals sound as it relates to Rick Hall and members of his rhythm section that eventually would form Muscle Shoals Sound Studios with the...
Jan 4, 2018 · But the members of the lauded rhythm section also wanted a stake in ownership, and FAME owner Rick Hall wasn’t interested in offering that. (Hall, known as the father of the Muscle Shoals sound, died this week at 85, after a battle with cancer.)
Hall’s new rhythm section was dubbed the Fame Gang, and continued to back up the likes of Aretha Franklin, Clarence Carter and Wilson Pickett. But as the ‘60s came to a close and prominent black artists began gravitating more toward black producers, Hall started to pivot away from soul toward pop.
The twin catastrophes of the split with Wexler and the loss of his rhythm section did not spell the end of Rick Hall, however. In 1968, he produced two monster hits at FAME: Clarence Carter’s Top 10 smash “Slip Away,” and the raucous “Tell Mama” by Chess Records artist Etta James.
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Jan 4, 2018 · Rick Hall, a music producer and recording engineer who crafted hit recordings in the Southern soul style for singers such as Aretha Franklin, Etta James, Wilson Pickett and Clarence Carter at his...
