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  1. Jun 7, 2021 · Last updated: Jun 7, 2021 • 3 min read. Ska music serves as a bridge between 1960s Jamaican music, 1970s British dance music, and 1990s American punk music. It does this by fusing many musical influences to create a genre unique unto itself.

  2. en.wikipedia.org › wiki › SkaSka - Wikipedia

    As music changed in the United States, so did ska. In 1965 and 1966, when American soul music became slower and smoother, ska changed its sound accordingly and evolved into rocksteady. [19] [25] However, rocksteady's heyday was brief, peaking in 1967. By 1968, ska evolved again into reggae.

    • Late 1950s, Jamaica
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  4. The music’s fourth wave came in the mid-1990s as American groups such as No Doubt, Sublime, and the Mighty Mighty Bosstones brought ska into the mainstream of pop music, and ska pioneers such as the Skatalites and Derrick Morgan found a new audience.

  5. Aug 9, 2021 · The Maytals - Never Grow Old (1964) I have a friend that will pull out Toots and the Maytals for anybody that insists they absolutely hate ska music. You can understand why. Toots Hibbert is an ...

  6. Shutterstock. While most American iterations of ska and the more commonly-heard ska-punk have tended to be dominated by white musicians and bear a permanent association with the '90s, the genre was actually invented in Jamaica by Black artists in the mid-1960s.

  7. 5 days ago · People may not realize this, but ska music originated in Jamaica in the late 1950s and early 1960s. Ska music's influence ranges beyond ska bands. Without ska music, genres like reggae and rocksteady may not have come to be. The ska beat is heavily influenced by American R&B music and has grown into one of the most popular standalone musical ...

  8. Mar 12, 2024 · 10. The Toasters. Though the modern ska sound is most prevalent now, The Toasters was one of the originators of second-wave ska. This subgenre fused Jamaican reggae and British punk traditions into an American new-wave formula, later copied quite successfully by bands like No Doubt.

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