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Aug 24, 2023 · The roots of electronic music can be traced back to the early 20th century with the invention of the first electronic musical instruments. One such instrument was the Theremin, invented by Russian physicist Leon Theremin in 1920.
- The Start?
- 20th Century Vision
- The Theremin
- Musique Concrète
- To The Music - The '60s!
- Raymond Scott
- Progress to Pop
- Jean-Michel Jarre
- Born in The UK
- It's Popular!
Taking things way back, you can make the case that the beautiful-sounding Golden Dionysis was very possibly the first electrical musical instrument. It was ‘built’ by the Czech electrical researcher Václav Prokop Diviš in 1748, who claimed to be able to recreate string and wind sounds with it. You’ll note that we say ‘claimed’ and ‘very possibly’, ...
Things get even more complex in the early 20th century, with a range of instruments that could and would lay claim to chunks of electronic music history, not least the electric organ and another couple of standout devices, notably the Helmholtz Sound Synthesiser and Theremin. The Sound Synthesiser was not only the first instrument to claim the ‘syn...
The 1920s Theremin is a unique device in electronic music making, not so much used to create sounds, but perform them. OK, its eerie tone is a bit of a one-off, but it has claimed its part in music history – particularly in early sci-fi and Beach Boys tunes – largely down to this rather atmospheric tone and the way it is produced. A performer can a...
The concept of musique concrète is an important one in the history of electronic music production, not least because it got people thinking and composing along very different paths compared to using traditional notes, timbres and scales. \\Initially popularised by Pierre Schaeffer in the mid-20th century, whose work would lead to the formation of th...
In the very early 1960s, the true story of the synthesiser really starts in earnest. Paul Ketoff was an engineer at RCA, so knew a thing or two about synthesis from their early experiments. He designed an instrument called the Syn-Ket in 1962 for the American composer John Eaton. However, it was not commercially available – despite being used by En...
Raymond Scott has been described as the ‘audio version of Andy Warhol’ yet has largely remained behind the scenes of electronic music history. He was a composer and technologist, and while he had his music licensed in cartoons, films and musicals, it’s perhaps his electronic research that is his biggest legacy. He was one of the first people to com...
Both in the UK and the States, rock was taking a more progressive turn and soon keyboard players like Keith Emerson, Rick Wakeman and Geoff Downs became early adopters of synths, although rather than create new electronic sounds, they preferred to emulate existing ones and play long – perhaps too long – solos with them. Wendy Carlos was maintaining...
Jean-Michel Jarre must have felt pretty alone in the 70s. While Emerson, Wakeman and Downs were playing synthesisers like be-cloaked keyboard wizards, and the ’League and Cabs were exploring the machines’ innards like scientists, Jarre just wanted to create pure synth music, with lush melodies, chords and memorable tunes; nothing too experimental, ...
As the 70s progressed, the UK started to play an increasingly important role in the development of synth music. Kraftwerk had laid down the gauntlet in Germany, for sure, but Brian Eno was already sneering at his fellow progressive rock keyboardists, experimenting with synths and creating found-sound textures in the studio. He was whacky, glam, ser...
Gary, now Numan, was a punk rocker in his formative years, but in easily a moment that is up there in electronic music history with Kraftwerk driving on a motorway for the first time, he went into a studio oneday to record a punk guitar album, found a Moog synth already switched on, pressed a note and was so moved that he ditched all the guitars on...
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1. Late 19th century to early 20th century. 1.1. Early compositions. 1.2. Recording experiments. 2. Development: 1940s to 1950s. 2.1. Electroacoustic tape music. 2.2. Musique concrète. 2.3. Elektronische Musik. 2.4. Contributions from Japan. 2.5. Contributions from the United States. 2.6. Columbia-Princeton Center. 2.7. Stochastic music. 2.8.
Sep 29, 2019 · Electronic Music: a guide for next deepening. Below you will find the main macrogenres of electronic music, and for each of them the main names of the first phase of that genre. Obviously, for every genre the story continued even in the following decades and a good analysis also includes the names that gave continuity to that genre over the ...
An informal definition of a successful building program would be “the detailed written and drawn description of nearly every aspect of the envisioned final building solution/product.”. A building program is not a building design but rather the book that the designers use as a guide to beginning the design process.
Sep 14, 2023 · Characteristics of electronic music; What was the first electronic song? 1970s – from Kraftwerk to disco; Rise of the machines – the 1980s – electropop, synth pop and hip hop; The late 1980s and 1990s - EDM; The 21st Century – electrohouse and the electropop revival; Electronic Music History
Dec 16, 2019 · The history of electronic music is fascinating, from the advent of electronic instruments and recording equipment to the birth of synthesizers and digital music technologies. The development of electronic music and subsequent technologies has affected every aspect of the music industry and every application of music production.