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    • What was the first band to make music entirely on electronics?

      • The band Kraftwerk was one of the first bands in the world to make music entirely on electronic equipment, and the band Tangerine Dream is often credited as being among the originators and primary influences of the "Berlin School" of electronic music, which would later influence trance music.
  1. en.wikipedia.org › wiki › SkrillexSkrillex - Wikipedia

    Skrillex has won eight Grammy Awards, more than any other electronic dance music artist. Skrillex has collaborated with Diplo and Boys Noize to form the groups of Jack Ü and Dog Blood respectively. It was announced on Moore's 29th birthday, he reunited with From First to Last and released a single named "Make War". In 2017, Skrillex produced ...

  2. TomorrowWorld was an electronic music festival, held in the Atlanta metropolitan area within the town of Chattahoochee Hills, Georgia. Held from 2013 to 2015, the festival was a spinoff of the Belgian festival Tomorrowland. The festival was owned by LiveStyle, Inc. (formerly known as SFX Entertainment, Inc.) and organized and produced by EDM ...

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    What was the first band to make music entirely on electronics?

    What is the history of EDM music?

    Where did techno music originate?

    What inspired electronic musicians to make jazz music?

  4. en.wikipedia.org › wiki › TechnoTechno - Wikipedia

    Techno is a genre of electronic dance music (EDM) that is predominantly characterized by a repetitive and hard four on the floor beat which is generally produced for use in a continuous DJ set. The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm).

    • Minnesingers and Meistersingers
    • Classical Music
    • Folk Music
    • Early Popular Music
    • Popular Music from West Germany
    • Popular Music from East Germany
    • Popular Music from Reunified Germany
    • References
    • Further Reading
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    The beginning of what is now considered German music could be traced back to the 12th-century compositions of mystic abbess Hildegard of Bingen, who wrote a variety of hymns and other kinds of Christian music. After Latin-language religious music had dominated for centuries, in the 12th century to the 14th centuries, Minnesinger (love poets), singing in German, spread across Germany. Minnesinger were aristocrats, traveling from court to court, who had become musicians, and their work left behind a vast body of literature, Minnelieder. The following two centuries saw the Minnesinger replaced by middle-class Meistersinger, who were often master craftsmen in their main profession, whose music was much more formalized and rule-based than that of the Minnesinger. Minnesinger and Meistersinger could be considered parallels of French troubadours and trouvère. Among the Minnesinger, Hermann, a monk from Salzburg, deserves special note. He incorporated folk styles from the Alpine regions in...

    Germans have played a leading role in the development of classical music. Many of the best classical musicians such as Bach, Händel, Beethoven, Schumann, Brahms, Wagner, Mahler, or Schoenberg (a lineage labeled the "German Stem" by Igor Stravinsky) were German. At the beginning of the 15th century, German classical music was revolutionized by Oswald von Wolkenstein, who travelled across Europe learning about classical traditions, spending time in countries like France and Italy. He brought back some techniques and styles to his homeland, and within a hundred years, Germany had begun producing composers renowned across the continent. Among the first of these composers was the organist Conrad Paumann. The largest summer festival for classical music in Germany is the Schleswig-Holstein Musik Festival.

    Germany has many unique regions with their own folk traditions of music and dance. Much of the 20th century saw German culture appropriated for the ruling powers (who fought "foreign" music at the same time). In both East and West Germany, folk songs called "volkslieder" were taught to children; these were popular, sunny and optimistic, and had little relation to authentic German folk traditions. Inspired by American and English roots revivals, Germany underwent many of the same changes following the 1968 student revolution in West Germany, and new songs, featuring political activism and realistic joy, sadness and passion, were written and performed on the burgeoning folk scene. In East Germany, the same process did not begin until the mid-70s, where some folk musicians began incorporating revolutionary ideas in coded songs. Popular folk songs included emigration songs from the 19th century, work songs and songs of apprentices, as well as democracy-oriented folk songs collected in t...

    Between World War I and World War II, German music branched out to form new, more liberal and independent styles.

    After World War II, German pop music was greatly influenced by music from USA and Great Britain. Apart from Schlager and Liedermacher, it is necessary to distinguish between pop music in West Germany and pop music in East Germanywhich developed in different directions. Pop music from West Germany was often heard in East Germany, had more variety and is still present today, while East German music has had little influence. In West Germany, English-language pop music became more and more important, and today most songs on the radio are English. Nevertheless, there is great diversity in German language pop music. There is also original English-language pop music from Germany, some having international success (for instance the Scorpions and James Last), but little with enduring broad success in Germany itself. There was very little English pop music from East Germany. Germany has also had a thriving English-language pop scene since the end of the war, with several European and American...

    Ostrock

    By the early 1970s, experimental West German rock styles had crossed the border into East Germany and influenced the creation of an East German rock movement referred to as Ostrock. On the other side of the Iron Curtain, these bands tended to be stylistically more conservative than in the West, to have more reserved engineering, and often to include more classical and traditional structures (such as those developed by Kurt Weill and Bertolt Brecht in their 1920s Berlin theater songs). These g...

    Modern popular music

    In the 1990s, German-language groups had only limited popularity, and only a few artists managed to be played on the radio, for example Nena, Herbert Grönemeyer, Marius Müller-Westernhagen, Die Ärzte, Rammstein, Rosenstolz or Die Prinzen. In the mid-2000s the German band Wir sind Helden found success with a new style of German-language pop-rock. This success was followed by several other bands and artists that led to a new boom of German-language music and a broader acceptance of existing Ger...

    Indie and alternative rock

    Popular anglophone alternative rock and crossover bands from Germany that managed to find success domestic and abroad include Beatsteaks, Donots, Blackmail, Reamonn, H-Blockx, Itchy Poopzkid, Guano Apes and Die Happy. The Notwist, an indie rock band, had great critical and commercial success with their album Neon Golden.

    Euro disco

    1. Boney M. 2. Chilly 3. Dschinghis Khan 4. Mike Mareen 5. Fancy 6. Silent Circle 7. Goombay Dance Band 8. London Boys 9. Lian Ross 10. Arabesque 11. Silver Convention 12. Penny McLean

    Painter, Karen (2007). Symphonic Aspirations: German Music and Politics, 1900–1945. Harvard University Press. ISBN 978-0-674-02661-2.
    Kater, Michael (2007). The Twisted Muse: Musicians and Their Music in the Third Reich. Oxford University Press. ISBN 978-0-19-509620-0.
    Laux, Karl, ed. (1960). Das Musikleben in der Deutschen Demokratischen Republik, 1945–1959. VEB Deutscher Verlag für Musik Leipzig.
    Helms, Siegmund, ed. (1972). Schlager in Deutschland: Beiträge zur Analyse der Popularmusik und des Musikmarktes. Breitkopf & Härtel. N.B.: Includes a bibliog. dictionary of German musicians on pp....
    Schütte, Uwe, ed. (2017). German Pop Music. A Companion. Berlin, Boston: De Gruyter. ISBN 978-3-11-042571-0.
  5. Computers in the classroom include any digital technology used to enhance, supplement, or replace a traditional educational curriculum with computer science education.As computers have become more accessible, inexpensive, and powerful, the demand for this technology has increased, leading to more frequent use of computer resources within classes, and a decrease in the student-to-computer ratio ...

    • Terminology
    • Pre-1940S
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    • 2010s
    • See Also

    The terminology for systems which integrate and manage computer-based learning has changed over the years. Terms which are useful in understanding and searching for earlier materials include: 1. "Computer Assisted Instruction" (CAI) 2. "Computer Based Training" (CBT) 3. "Computer Managed Instruction" (CMI) 4. "Course Management System" (CMS) 5. "Integrated Learning Systems" (ILS) 6. "Interactive Multimedia Instruction" (IMI) 7. "Learning Management System" (LMS) 8. "Massive open online course" (MOOC) 9. "On Demand Training" (ODT) 10. "Technology Based Learning" (TBL) 11. "Technology Enhanced Learning" (TEL) 12. "Web Based Training" (WBT) 13. "Media Psychology"

    1728: March 20, Boston Gazette contains an advertisement from Caleb Phillipps, "Teacher of the New Method of Short Hand," advising that any "Persons in the Country desirous to Learn this Art, may b...
    1840: Isaac Pitman begins teaching shorthand, using Great Britain's Penny Post.
    1874: Institutionally sponsored distance education began in the United States in 1874 at the Illinois Wesleyan University.
    1890: International Correspondence Schools (ICS) is launched by newspaperman Thomas J. Foster in Scranton, Pennsylvaniaand becomes the world's largest study-at-home school.