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  1. To prepare for the film, composer Hans Zimmer sent then-assistant Marc Streitenfeld to scout various instruments and sounds native to the deserts of Africa. [1] Additionally, several musicians from around the world worked with Zimmer to develop the soundtrack.

    • 66:54
    • January 15, 2002
  2. Ultimately, the basic culture clashes in the score, regardless of precise representation, sufficed for the picture. The setting of Mogadishu, with its famine and unknown quantity of militants, is represented by African voices set often to a modern, percussive rhythm.

  3. The musical score for Black Hawk Down was composed by Hans Zimmer, who previously collaborated with director Scott on several films including Thelma & Louise (1991) and Gladiator (2000). Zimmer developed the score through a collaboration with a variety of musicians that blended " east African rhythms and sounds with a more conventional ...

    • December 28, 2001
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  5. Jan 15, 2002 · But if you haven't seen the film, hold off on getting the album until you have seen it. Let me end this review by saying that Ridley Scott has almost redeemed himself for Hannibal. Almost. Black Hawk Down soundtrack from 2001, composed by Hans Zimmer. Released by Decca Records in 2002 (440 017 012-2) containing music from Black Hawk Down (2001).

  6. Written by Jimi Hendrix. Performed by Stevie Ray Vaughan. Courtesy of Epic Records. By arrangement with Sony Music Licensing. Minstrel Boy (Film Version) Arranged by Joe Strummer, Scott Shields, Martin Slattery, Richard Flack and Tymon Dogg. Produced by Scott Shields, Martin Slattery, Richard Flack and Joe Strummer.

  7. 2005 — Europe. CD —. Album. Explore the tracklist, credits, statistics, and more for Black Hawk Down (Original Motion Picture Soundtrack) by Hans Zimmer. Compare versions and buy on Discogs.

  8. Sound Quality: 6. Hans Zimmer’s music for Black Hawk Down is really more soundtrack than film score, serving as it does primarily as aural scene painting. Zimmer sees the film’s underlying theme as a clash of societies, a clash he underlines with highly varied and at times opposing musical styles.

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