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Foreign occupation
- Rossini’s last opera brings together the ever topical subject of foreign occupation, as stark and oppressive as a jagged Alpine peak, with sublime moments of uplifting hope and serenity.
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William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he ...
- French
- 3 August 1829, Salle Le Peletier, Paris
The success of “William Tell” can be traced back to Rossini’s involvement with the Paris opera. The institution had a history of demanding grandiose music, albeit the heroic and noble historical storylines.
Jul 17, 2018 · William Tell was the first serious opera the Italian-born Rossini authored in Paris. Upon granting his residency in 1824, the French government contracted him to produce a work for the...
In Riccardo Muti. …uncut performance of Gioachino Rossini’s William Tell in Florence in 1972, and he championed lesser-known works by Verdi as well as operas by Giacomo Meyerbeer and Gaspare Spontini. He was respected as a conductor of a wide range of orchestral and choral works, including large-scale symphonic works from the 20th….
William Tell is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years.
What do you know about William Tell? Everyone knows the infectious tune used as the Lone Ranger theme. Everyone (probably) knows of the iconic scene in which Tell, fighting against Austrian oppression, shoots an apple on his son’s head. But there is much more to this opera than any of this suggests.
William Tell Overture, composition by Gioachino Rossini. The overture premiered in Paris on August 3, 1829, and constituted the introductory dozen minutes of the composer’s last opera, Guilllaume Tell (William Tell). For many Americans, the work is irrevocably remembered for its exciting final.
