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In 1955, he was the first African-American dancer with the New York City Ballet, where he was promoted to principal dancer the following year and danced in major roles until 1966. He then founded ballet companies in Spoleto, Washington, D.C., and Brazil.
Mar 27, 2024 · In 1956 Mitchell became the only Black dancer in New York City Ballet. He was promoted to principal dancer with the company in 1962, and George Balanchine created several roles for him, notably those in Agon (1957) and A Midsummer Night’s Dream (1962).
- The Editors of Encyclopaedia Britannica
Mitchell joined the New York City Ballet in 1955 and later founded the Dance Theater of Harlem
Oct 5, 2016 · He joined John Butler’s dance company in Europe before Lincoln Kirstein, general director of the New York City Ballet (NYCB), invited him to join NYCB’s corps de ballet. Mitchell became the first African American permanent member of a major American ballet company in 1955, when he performed with Tanaquil Le Clercq in Western Symphony .
Sep 20, 2018 · MITCHELL: I joined them in November of 1955. And there was a myth at that time that blacks could not do classical ballet. GRIGSBY BATES: Mitchell killed that myth. He danced incredibly...
Sep 20, 2018 · Associated Press. Thu 20 Sep 2018 03.53 EDT. Arthur Mitchell, who broke barriers for African Americans in the 1950s as a dancer with the New York City Ballet and who would go on to become a...
Jan 5, 2018 · But before that, Mr. Mitchell broke the color wall in ballet by becoming the first African-American principal dancer at New York City Ballet. He joined the company in 1955.
