Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936. Böhm came under public criticism for taking the Dresden position because he had replaced Fritz Busch, who had been forced to resign by the Nazis; Böhm replaced Bruno Walter at Salzburg in 1938 ...
In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler 's Der Trompeter von Säckingen in 1917.  He became the assistant director of music in 1919, and the following year, the senior director.
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May 23, 2018 · From 1931 to 1933 Böhm held the post of Generalmusikdirektor of the Hamburg Opera; from 1934 to 1943 he was music director of the Dresden State Opera, where he gave the first performances of Die Schweigsame Frau (June 24, 1935) and Daphne (Oct. 15, 1938), which Strauss dedicated to him.
- His Reputation
Böhm was born in Graz, Austria. He wanted to be a musician, but his father said that he should study law first, because musicians did not make much money, and if he was not successful as a musician he could then always have a job in law. So he studied law at the university of Graz, and got a doctorate on this subject. He also studied music privatel...
Böhm was praised for his clear, energetic conducting. He did not have exaggerated mannerisms but got his orchestras to play with a warm, romantic sound which was never sentimental. Besides his favourite Mozart, Wagner and Richard Strauss he conducted many works by Haydn, Beethoven, Schubert, Bruckner, Brahms and Berg. He was given many honours, inc...
New Groves Dictionary of Music and Musicians, ed. Stanley Sadie, 1980; Template-specific style sheet:ISBN 1-56159-174-2
Carl Bohm (also known as Henry Cooper [pseudonym] and Karl Bohm) (11 September 1844 – 4 April 1920) was a German pianist and composer. Bohm is regarded as one of the leading German songwriters of the 19th century, and wrote such works as Still as the Night , Twilight , May Bells , Enfant Cheri and The Fountain .
Bohm never took another music director's spot, preferring conducting to the distractions of administration. His Metropolitan Opera debut, and his first performance in Manhattan, took place on October 28, 1957, when he opened the company's 1957-1958 season with a new production of Mozart's Don Giovanni, in which Bohm's work was reviewed as "an ...