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  1. en.wikipedia.org › wiki › Karl_BöhmKarl Böhm - Wikipedia

    He secured a top post at the Vienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos .

    • Conductor
    • 14 August 1981 (aged 86), Salzburg
    • 28 August 1894, Graz
  2. Böhm began to move steadily up the ladder through provincial opera houses and in 1927 he went on to become music director at the Staatstheater Darmstadt and then, in 1931, was appointed music director at Hamburgische Staatsoper serving until 1934 when he left for the prestigious post at Dresden.

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  4. Apr 17, 2024 · Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936. Böhm came under public criticism for taking the Dresden position because he had replaced Fritz Busch, who had been forced to resign by the Nazis; Böhm replaced Bruno Walter at Salzburg in 1938 ...

    • The Editors of Encyclopaedia Britannica
  5. "Then in 1931 I went to Hamburg where I was to be musical director for four years, followed by nine years in Dresden. I met Strauss for the first time when I was in Hamburg, where we did a new production of Elektra. After that we were close friends for the rest of his life.

  6. KARL BÖHM, born in Graz in 1894, began by studying law, like his father before him. While still a student he obtained his first conducting engagement in Graz in 1917. In 1921, with the support of Bruno Walter, he moved to Munich; in 1927 he was appointed general music director in Darmstadt, and in 1931 he moved to.

  7. May 23, 2018 · From 1931 to 1933 Böhm held the post of Generalmusikdirektor of the Hamburg Opera; from 1934 to 1943 he was music director of the Dresden State Opera, where he gave the first performances of Die Schweigsame Frau (June 24, 1935) and Daphne (Oct. 15, 1938), which Strauss dedicated to him.

  8. Here he was noted for his championing of contemporary music, in 1928 presenting Berg’s opera, Wozzeck, with the composer attending the final day of rehearsals. Böhm was to become as famous for his interpretations of Berg’s two operas as he was for his Wagner performances.

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