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      • His debut at the Graz Opera House in 1917 was followed three years later by his appointment there as its first conductor. In 1921 he joined the Munich Opera. Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934. He made his London debut at Covent Garden in 1936.
      www.britannica.com › biography › Karl-Bohm
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  2. en.wikipedia.org › wiki › Karl_BöhmKarl Böhm - Wikipedia

    He secured a top post at the Vienna State Opera in 1943, eventually becoming music director. On the occasion of the 80th birthday of Richard Strauss, on 11 June 1944, he conducted the Vienna State Opera performance of Ariadne auf Naxos .

  3. Apr 17, 2024 · His debut at the Graz Opera House in 1917 was followed three years later by his appointment there as its first conductor. In 1921 he joined the Munich Opera. Böhm became musical director at Darmstadt in 1927, at Hamburg in 1931, and at Dresden in 1934.

    • The Editors of Encyclopaedia Britannica
  4. In 1917 Karl Böhm became a rehearsal assistant in his home town, in 1919 the assistant director of music, and in 1920 the senior director of music. On the recommendation of Karl Muck, Bruno Walter engaged him at Munich's Bavarian State Opera in 1921.

  5. Dec 25, 2009 · I have more complete Beethoven symphony cycles than I’d care to list, but have recently read some very favourable reviews of the Karl Böhm VPO Beethoven cycle from the very late 1960s/early 70s on DG.

  6. www.opera-charm.com › articles › karl-bohmOPERA Charm | Karl Böhm

    Aug 20, 2023 · She made her debut in Pamina from “Die Zauberflöte” by Wolfgang Amadeus Mozart at only 19 years old at the Bucharest National Opera House, as a member of the Ludovic Spiess Experimental Opera Studio.

  7. Oct 9, 1994 · Bohm conducted the world premiere of two Strauss operas--”Die Schweigsame Frauin 1935 and “Daphne” in 1938. The latter was actually dedicated to him. It can’t be too surprising that...

  8. This release brings us Karl Böhm’s acclaimed 1960s Mozart symphony recordings, newly packaged for this year’s celebrations of the composer’s 250th birthday. In terms of recordings, Böhm probably was at his best in Mozart, where he often duplicated the alacrity of his live performances in the studio.

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