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  1. The Silesian mannerism of southwestern Poland was largely influenced by Bohemian and German mannerism, while the Pomeranian mannerism of northwestern Poland was influenced by Gothic tradition and Northern German mannerism. The Jews in Poland adapted patterns of Italian and Polish mannerism to their own tradition. [2] .

  2. The exterior of the chapel is Mannerist, with the windows cutting through the entablature and half pediments abutting the main block. Delorme commenced in 1564 a large palace called the Tuileries, since it was situated on the site of tileworks in front of the Louvre. Again, elements of Mannerism were visible.

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    • History
    • Some Mannerist Examples
    • Mannerist Architecture
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    The early Mannerists are usually set in stark contrast to High Renaissance conventions; the immediacy and balance achieved by Raphael's School of Athens, no longer seemed relevant or appropriate. Mannerism developed among the pupils of two masters of the classical approach, with Raphael's assistant Giulio Romano and among the students of Andrea del...

    Jacopo da Pontormo

    Jacopo da Pontormo's Joseph in Egyptstood in what would have been considered contradicting colors and disunified time and space in the Renaissance. Neither the clothing, nor the buildings—not even the colors—accurately represented the Bible story of Joseph. It was wrong, but it stood out as an accurate representation of society's feelings.

    Rosso Fiorentino

    Rosso Fiorentino, who had been a fellow-pupil of Pontormo in the studio of Andrea del Sarto, brought Florentine mannerism to Fontainebleau in 1530, where he became one of the founders of the French sixteenth-century Mannerism called the "School of Fontainebleau."

    School of Fontainebleau

    The examples of a rich and hectic decorative style at Fontainebleau transferred the Italian style, through the medium of engravings, to Antwerp and thence throughout Northern Europe, from London to Poland, and brought Mannerist design into luxury goods like silver and carved furniture. A sense of tense controlled emotion expressed in elaborate symbolism and allegory, and elongated proportions of female beauty are characteristics of his style.

    An example of mannerist architecture is the Villa Farnese at Caprarola in the rugged country side outside of Rome. The proliferation of engravers during the sixteenth century spread Mannerist styles more quickly than any previous styles. A center of Mannerist design was Antwerp during its sixteenth-century boom. Through Antwerp, Renaissance and Man...

    In English literature, Mannerism is commonly identified with the qualities of the "Metaphysical" poets of whom the most famous is John Donne. The witty sally of a Baroque writer, John Dryden, against the verse of Donne in the previous generation, affords a concise contrast between Baroque and Mannerist aims in the arts: 1. "He affects the metaphysi...

    Gardner, Helen. Metaphysical Poets, Selected and Edited.Introduction.
    Giuliano Briganti, 1962. Italian Mannerism(Originally published in Italian, 1961).
    Shearman, John. 1967. Mannerism. A classic summation.
    Sypher, Wylie. Four Stages of Renaissance Style: Transformations in Art and Literature, 1400-1700, 1955. A classic analysis of Renaissance, Mannerism, Baroque, and Late Baroque.
  4. Dec 6, 2023 · In sixteenth-century Italy, where what we now call mannerism is first evident, the term “mannerism” did not exist. What we do find is “maniera,” a term rooted in the word mano (hand). It was used in a straight forward way by contemporaries to simply designate style.

  5. The mannerist architecture and sculpture in Poland have two major traditions: Polish-Italian and Dutch-Flemish, that dominated in northern Poland. [1] The Silesian mannerism of South-Western Poland was largely influenced by Bohemian and German mannerism, while the Pomeranian mannerism of North-Western Poland was influenced by Gothic tradition ...

  6. The mannerist architecture and sculpture in Poland have two major traditions – Polish/Italian and Dutch/Flemish, that dominated in northern Poland.

  7. Mannerist architecture and sculpture in Poland dominated between 1550 and 1650, when it was finally replaced with baroque. [1] The style includes various mannerist traditions, [1] which are closely related with ethnic and religious diversity of the country, as well as with its economic and political situation at that time.

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