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Sequenza. Sequenza ( Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. [1] The pieces, some of which call for extended techniques, are: Sequenza I (1958; rev. 1992) for flute. Sequenza II (1963) for harp. Sequenza III (1965) for female voice. Sequenza IV (1965) for piano.
Sequenza II for harp (1963); Sequenza III for woman's voice (1966); Sequenza IV for piano (1966); Sequenza V for trombone (1966); Sequenza VI for viola (1967); Sequenza VII for oboe (1969) (rev. by Jacqueline Leclair and renamed Sequenza VIIa in 2000); Sequenza VIIb for soprano saxophone (adaptation by Claude Delangle in 1993); Sequenza VIII ...
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Who wrote Sequenza XIV?
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Jun 20, 2023 · Luciano Berio (1925-2003)SequenzasI – XIV rec. 1998-2004, St John Chrysostom Church, Newmarket, Canada Naxos 8.557661-63 [3 CDs: 182] Berio’s Sequenzas were written over a rather long period, actually some thirty-four years – most of his long composing life. So, they give a fair survey of his compositional progress and of his stylistic ...
Apr 28, 2002 · - Extended technique and polyphonic writing in Luciano Berio's Sequenza XIV. Videography. Omaggio. Back to Works
Now Naxos enters the Sequenza playing field with equally world-class performances of the cycle, including the Cello Sequenza (No. XIV) written in 2002 (the year before Berio’s death) plus the soprano saxophone version of the Oboe Sequenza (No. VII). It might be helpful to describe some of the ways in which the DG and Naxos performances differ.
Oct 22, 2008 · Extract. Between 1958 and 2002, Berio wrote fourteen relatively short works, each called Sequenza.As a collection of pieces for single instruments, or single instruments in combination with other sound sources, they provide a temptingly concise repertory of materials for musicologists eager to pin down the essence of Berio's compositional thought, as it evolved over time, and which is so ...
Apr 3, 2023 · Abstract. This article discusses the use of extended techniques by Luciano Berio (1925–2003), focusing on his Sequenza XIV, for cello, finished in 2002. Our analysis attempts to demonstrate how Berio uses new ways of playing the instrument to create a kind of polyphony. The article references a large number of writings by Berio himself ...
