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  1. When Marnie Was There (Japanese: 思い出のマーニー, Hepburn: Omoide no Mānī, lit. ' Marnie of [My] Memories ') is a 2014 Japanese animated psychological drama film co-written and directed by Hiromasa Yonebayashi, produced by Studio Ghibli and distributed by Toho. It is based on Joan G. Robinson's 1967 novel of the same name.

  2. Seattle International Film Festival. 2015 Winner Films4Families Youth Jury Award. Hiromasa Yonebayashi. For its beautiful and detailed animation, realistic sound design, and original, bittersweet tale of mystery the Films4Families Jury awards When Marnie Was There.

  3. Aug 7, 2015 · When Marnie Was There: Directed by Hiromasa Yonebayashi. With Sara Takatsuki, Kasumi Arimura, Nanako Matsushima, Susumu Terajima. Anna, a shy 12-year-old girl, is sent to spend time with her aunt and uncle who live in the countryside, where she meets Marnie. The two become best friends.

    • Hiromasa Yonebayashi
    • 2 min
  4. When Marnie Was There (思い出のマーニー , Omoide no Mānī, literally Marnie of [My] Memories) is an animated psychological drama film written and directed by Hiromasa Yonebayashi, produced by Studio Ghibli and released on July 19, 2014.

  5. Dec 16, 2014 · Asia. Dec 16, 2014 3:56pm PT. Film Review: ‘When Marnie Was There’. Studio Ghibli's first film without the involvement of either Hayao Miyazaki or Isao Takahata could also be its last. By...

  6. May 22, 2015 · Keiko Niwa. Screenplay. Written by Reno on June 16, 2015. Upon being sent to live with relatives in the countryside due to an illness, an emotionally distant adolescent girl becomes obsessed with an abandoned mansion and infatuated with a girl who lives there - a girl who may or may not be real.

  7. May 22, 2015 · “When Marnie Was There” is a sweet tale about learning to embrace our tragic pasts and differences not so we fit in but so we are comfortable on our own. It is filled with the luscious, beautiful 2D animation that we’ve come to expect from Ghibli, and if the storytelling sometimes gets a bit lethargic for its own good, we’re more ...

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