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Feb 29, 2020 · Shortly after the gramophone was invented in 1887, it became a hit choice for the rest of the 1890s. It became so famous that the US and the UK launched their coin-slot gramophones where people would put in pennies to play and record almost 150 plus titles of songs using gramophones.
As a name for the whole operation the inventor coined the word "gramophone" (in early advertisements it was often written Gram-o-phone). His earliest patents were number 372,786, awarded November 8, 1887, and number 382,790, dated May 15, 1888.
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Nov 4, 2019 · The Gramophone and Records. On November 8, 1887, Emile Berliner, a German immigrant working in Washington D.C., patented a successful system for sound recording. Berliner was the first inventor to stop recording on cylinders and start recording on flat disks or records. The first records were made of glass. They were then made using zinc and ...
- Mary Bellis
In 1887, Emil Berliner (1851–1921) invented the gramophone, the mechanical predecessor to the electric record player. Later, with the shellac record, he developed a medium that allowed music recordings to be mass produced. As a smart businessman, the German-American knew how to market his patents and founded one of the first major record labels.
Thomas Edison with his second phonograph, photographed by Levin Corbin Handy in Washington, April 1878 An Edison Standard Phonograph that uses wax cylinders. A phonograph, later called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910), and since the 1940s a record player, or more recently a turntable, is a device for the mechanical and analogue reproduction of ...
On 4 May 1887, Berliner, a German-born inventor, applied for a patent in Washington, D.C. on a "Gramophone" with a cylindrical recording surface, and on 26 September 1887, Berliner submitted a patent for a flat-disk record and player. Berliner’s idea was to create a phonograph that would play flat, mass-produced disks.
Nov 5, 2021 · The turntable spun at a standard 78 rotations per minute (RPM)—at least in theory—to create recordings of about 3 minutes per side. This is how early gramophone records came to be nicknamed ‘78s’. Once cut, the wax discs—now ‘masters’—were returned to the record factory for inspection and processing.
